John Cheever
John Cheever
John William Cheeverwas an American novelist and short story writer. He is sometimes called "the Chekhov of the suburbs". His fiction is mostly set in the Upper East Side of Manhattan, the Westchester suburbs, old New England villages based on various South Shore towns around Quincy, Massachusetts, where he was born, and Italy, especially Rome. He is "now recognized as one of the most important short fiction writers of the 20th century." While Cheever is perhaps best remembered for his...
NationalityAmerican
ProfessionWriter
Date of Birth27 May 1912
CountryUnited States of America
Wisdom we know is the knowledge of good and evil, not the strength to choose between the two.
Never eat a heavily sugared doughnut before you go on TV.
My God, the suburbs! They encircled the city's boundaries like enemy territory and we thought of them as a loss of privacy, a cesspool of conformity and a life of indescribable dreariness in some split-level village where the place name appeared in the New York Times only when some bored housewife blew off her head with a shotgun.
Everything outside was elegant and savage and fleshy. Everything inside was slow and cool and vacant. It seemed a shame to stay inside.
How can we describe the most exalted experience of our physical lives [sex], as if-jack, wrench, hubcap, and nuts-we were describing the changing of a flat tire?
The writer cultivates, extends, raises and inflates his imagination, sure that this is his destiny, his usefulness, his contribution to the understanding of good and evil. As he inflates his imagination he inflates his capacity for evil.
...the sounds next door served as a kind of trip wire: I seemed to stumble and fall on my face, skinning and bruising myself here and there and scattering my emotional and intellectual possessions. There was no point in pretending that I had not fallen, for when we are stretched out in the dirt we must pick ourselves up and brush off our clothes. This then, in a sense, is what I did, reviewing my considered opinions on marriage, constancy, man's nature, and the importance of love. When I had picked up my possessions and repaired my appearance, I fell asleep.
The organizations of men, like men themselves, seem subject to deafness, near-sightedness, lameness, and involuntary cruelty. We seem tragically unable to help one another, to understand one another.
Alice Malloy had dark, stringy hair, and even her husband, who loved her more than he knew, was sometimes reminded by her lean face of a tenement doorway on a rainy day, for her countenance was long, vacant, and weakly lighted, a passage for the gentle transports and miseries of the poor.
The novel remains for me one of the few forms where we can record man's complexity and the strength and decency of his longings.
Sometimes the easiest-seeming stories to a reader are the hardest kind to write.