Mads Mikkelsen
Mads Mikkelsen
Mads Dittmann Mikkelsen; born 22 November 1965) is a Danish actor. Originally a gymnast and dancer, he began his career as an actor in 1996. He rose to fame in Denmark as Tonny the drug dealer in the first two films of the Pusher film trilogy, and in his role as the brash yet sensitive policeman, Allan Fischer, in Peter Thorsboe's Danish television series Rejseholdet...
NationalityDanish
ProfessionMovie Actor
Date of Birth22 November 1965
CityCopenhagen, Denmark
CountryDenmark
I think they tried the 3-D revolution at least five times throughout history, and it never seemed to work. However, finally, 'Avatar' did it.
I think I've always had to pick and choose whatever I want to work on. If I'm not happy with what I'm doing, it's probably not going to end up that interesting.
I was a late bloomer, but I had a career as a contemporary dancer before that, so I had some kind of connection to this world. But I was always a little more in love with the drama of dancing than the aesthetics, so I thought, 'Why don't you give it a chance if you think you can do it a little different?'
I was very energetic and very small. I didn't start growing until the last year of high school.
I was not into sci-fi, science fiction, at all. I was into some of the old pirate films with Burt Lancaster and stuff. I liked them.
I was into sports and swimming as a kid and didn't spend a whole lot of time sitting down. I was a gymnast.
I take my work enormously seriously. When I do something, it has to feel right. Everything has to be right.
We are filmmakers, and we are specifically trying to entertain people.
I go to the pub, hang out with my family - that's pretty much it. I also do a lot of sports when I get the chance. I'm actually a pretty mellow guy.
I make an awesome soup with coconut milk and shrimps; it takes me five hours to prepare the whole thing. It does become very spicy, but you can definitely taste all the ingredients.
I have an older brother who is an actor as well.
I felt perhaps 'The Girl with the Dragon Tattoo' was a little premature. It was a huge hit around the world - it was still running in the theatres - and the Americans at that time were already shooting the remake, and I was like, 'Whoa! Give it a break of five or six years and get a little inspired, and then do it.'
I always work with the tempo of the energy of the character, whether he's fast or slow, or heavy or light.