Ric Ocasek Quotations

I love walking down the street and seeing faces and drama and happiness and sadness and dirt and cleanliness.

Refusing to ask for help when you need it is refusing someone the chance to be helpful.

I've never been on a water slide in my life.

Secrecy is the enemy of efficiency, but don't let anyone know it.

The most important thing to a lot of people, is to belong to something that's hip or whatever. To be a part of something that's not society, just a clique.

There's more to light than the opposite of dark.

I've been in a band, so I understand the politics. Sometimes the bass player doesn't like what the guitar player is doing, and you have to sort of even that out.

As a songwriter, oddly enough, my influences were people like Bob Dylan, The Velvet Underground, and Buddy Holly. Some psychedelic stuff, too.

I think bands, when they're on the road, they keep their sanity by developing an internal sense of humor.

I've always been a fan of poetry. I grew up with Lawrence Ferlinghetti and the Beat poets. I really followed that stuff for a while. I just love the way people threw words around like they were painting.

Never mind a world that can't see past brutality.

There are a lot of bands that have a huge appeal, but I don't understand why. Guns n' Roses. U2. But you know, that's just my thing. Music is pretty personal.

Your high points and your low points. High points don't last that long, it's a high and it happens. It's great at the moment but you really can't live on it.

Once they're on paper, they're gone. I like to do as much with the words, as far as image goes.

People are strange. We're all morticians. Hey, what's on TV?

People sometimes say that bands sound like The Cars, but when I hear it I don't know if they do or not.

The creative part for me is making songs, and that's what I really love the most, and that's what I've always done for every band I've ever had.

People tell me all the time that I look forbidding or aloof. That doesn't bother me much - I am fairly private, withdrawn, and... distant, I guess. But, um, I think that's okay.

I often write songs, and when I do, I usually write quite a few of them. I really have to be in the mood.

I didn't feel like gymnastics were part of The Cars. I certainly philosophically didn't want to prod the audience to react to anything. To me, it was more like negative theater. We didn't really talk to the audience. I didn't see that being a part of this band.

They're caught where there's no way out or where you can't see out. What are you going to do about it? I don't have the answer. If I did there would be no insane asylums. But I see a lot of people, a lot of my friends in the same predicament. Many times in my life, I was there myself.

I don't think I'm an entertainer. I never think, 'Wow, I can't wait to get the crowd moving.' Some of my favorite bands never moved an inch.

I could never be a country person, sitting around trees trying to write a song. I would rather be in the middle of society, whether it's growing or crumbling.

Sometimes you want to run away, sometimes you think you do, but you never had a dream like this before and you don't want to ask for more, sometimes you leave a mark before you know the score.

When I produce other people, that's the thing I can do well because I've been in a band, and I can play the political game and make everybody feel happy, and I can check their performances, and I can work on the sound while they're being a band.

I'm not proud of the lyrics to 'Shake It Up.'

I don't think about what is the greatest thing that ever happened to me. It seems to me that things don't last long anyway.

Some people just like going along for the ride. And those are the kind of people I don't get along with too well.

You think you're in the movies / And everything's so deep / But I think that you're wild / When you flash that fragile smile

Oh oh it's magic / When I'm with you / Oh oh it's magic / You know it's true / Got a hold on you

I'm elated about becoming part of Elektra again. In 1970, Elektra was the first record company I ever visited. I was just a kid from Cleveland, but I idolized Elektra bands like the Doors, Love, Joni Mitchell and all the others. ... The Cars signed with Elektra in 1978, so I feel like I'm coming full circle.

All I need is what you've got / All I'll tell is what you're not / All you know is what you hear / I get this way when you come near

Oh oh it's magic, when I'm with you, oh oh it's magic, you know it's true, got a hold on you.

If I would have been in a different world Like I frequently am when I see you Oh I might have missed All the ways you try to give If only you knew what you do to me Sometimes I think about eternity If it would have been another time I wonder what you would of had in mind

Never mind a world That can't see past brutality Answers are getting the gas Live gestures Have constantly been used As weapons

If you want to talk about it, I got the time When you're looking so enchanted, you cover my mind If you think I'll wait forever, maybe you're right There's no such thing as now or never, there's only twilight

Sometimes you want to run away Sometimes you think you do But you never had a dream like this before And you don't want to ask for more Sometimes you leave a mark Before you know the score

The best thing you can do for a song is to hear it on the radio and to imagine what it could mean to you and then kinda forget the words. Just imagine how you felt when you heard it, if it was one of your songs. If it became one of your songs. If it meant whatever it meant for you and as soon as you see the visual, you get a rapid eye movement relationship with the song instead of an imaginative one. I think that can be dangerous because I don't think I'd want to be listening to a song on the radio and thinking about the video. Whatever that one interpretation was

When you become tired of fitting in, is when you truly become yourself