Roberto Orci Quotations

The point is just to create a discipline for making sure that you're creating material.

I think people have a tendency to think of a writer as someone who wants to go take a walk, maybe case a library... I think that's great sometimes but we really treat it like Monday through Friday come in early. You're not late for inspiration. You're working through it no matter what is happening even if you're writing a terrible version.

You're never done. You're not done until it's projecting in the theater.

Sci fi allowed us to be more true to the western than maybe even doing a literal western.

I was really fascinated by the idea of how cunning and calculating Headless Horseman would be, and how much personality you can actually get from somebody when they're not expressing. They can do a lot of attitude, just within their body movements.

We wanted to present the Headless Horseman in a new light. That's where the fun comes in, of just diving in.

A lot of people we tell the story to assume that the Four Horsemen of the Apocalypse were actually part of the original Washington Irving story, which only happens to be 17 pages. It's a great starting point, and then we built on it, very much in a logical progression.

You can't force an audience to see something they don't want to see, no matter what it is.

In school, you learn that there are only seven kinds of stories. There's man versus nature, man versus man, man versus himself, blah blah blah. So it doesn't matter what they're called. It's this: do you have a new story that fits into one of those things.

'Star Trek Into Darkness' isn't that 'Star Trek' is going to be no fun, and dark. It's that the fun's going to be challenged by some serious issues.