Samantha Shannon Quotations

I'm often daydreaming, and it's because I've always liked the idea of there being something more than the normal world.

I am the first one to go to university in my family. I am the first writer as well. My dad is a retired policeman, and my mom works for a glass-processing company. She is health-and-safety manager, and my stepfather is a plumber. I have four half siblings, one from my mom's marriage and three from my dad's marriage, so we are kind of scattered.

I've been writing since I was about thirteen but didn't start a book until 2007. I spent four years writing a sci-fi novel before I wrote 'The Bone Season' at nineteen.

I was not really aware of the dystopian genre before I read 'The Handmaid's Tale.' Many poets as well, like John Donne and Emily Dickinson, would be the influences; I specialized in Emily Dickinson at university. Both of those poets have really interesting ways of looking at life and death.

I was a hacker of sorts. Not a mind 'reader,' exactly; more a mind 'radar,' in tune with the workings of the aether. I could sense the nuances of dreamscapes and rogue spirits. Things outside myself. Things the average voyant wouldn't feel.

I was so sure I wanted to be a novelist. I would spend hours and hours every day writing. Little stories about nothing in particular. I recall one about someone with an illness. But my dedication wasn't really healthy, and it reached the point where I wasn't sleeping. My mum would tell me, 'You need to go outside to get some fresh air.'

People question what I thought of Oxford. Students used to talk about the 'Oxford bubble' because the place can make you feel cut off from the rest of the world. I would forget there were places like London that were not centred round libraries and essays.

I worry that people think you have to go to a university to be a good writer, which is categorically untrue. I don't think I learned how to write at Oxford. I did not go to any creative writing classes or anything.

'The Bone Season' is violent. There's sex. My little brother keeps asking to read it, and he's 9, so I'm like, 'No, it's not happening.'

What I like about Oxford is how small it is; it's really more of a big town than a city.

I was a shy child, and when I was 13, I started wearing braces on my teeth. I used to be acutely self-conscious, and I think writing was a way of withdrawing into my own imagination.

I do take this insane pleasure in world-building. I get the world in my head, but I have to make sure everyone else gets it.

It is a strange world, Oxford - quite claustrophobic. I was often glad I was only there for eight weeks at a time.

I had lived in that part of London that used to be called Islington since I was eight. I attended a private school for girls, leaving at sixteen to work. That was in the year 2056. AS 127, if you use the Scion calendar.

My English teachers gave me a copy of Atwood's 'The Handmaid's Tale' when I left high school, which has always been very special to me - it was the novel that introduced me to dystopian fiction. I'm also influenced by Edgar Allan Poe, Dickens, John Wyndham and Middle English dream-visions.

J. K. Rowling is one of my favourite authors, and I really admire how she created this big wizarding world. But I think our books are very, very different, and I don't think there can be a next J. K. Rowling. She is one of a kind.

Rowling is a luminous storyteller. I love her sense of humor and the intricate wizarding world she built around Hogwarts. I think all writers aspire to be like her, to capture readers like she does. But I didn't think about 'Harry Potter' when I wrote 'The Bone Season.'

For me, just being published feels like success.

I am never not thinking about stories. 'The Bone Season' is 90% of my brain - 10% is interacting with the rest of the world.

I was always more interested in my books and my writing than going out. It's OK to say I'm a nerd. That's me.

I was born in 1991, and 'Harry Potter' came out in '97, so, you know, I was really obsessed. I used to read them in one night.

I was not a rebellious teenager. I was a sit-in-your-room teenager.

I'm not going to give it the big 'I am' now that I'm a New York Times bestseller.

I often look at places and kind of mentally convert them to fantasy versions of themselves.

I wanted to write a sci-fi story that would appeal to young women. Loads of girls like sci-fi, but it's more culturally associated with guys.

I have always been driven; I've always wanted to be published, and I wanted to make that happen, so I worked very hard. 'Perfectionist' would be a word to describe me.

I fell even more deeply in love with Tolkien's legendarium after studying Old English literature at uni, as I got a sense of the historical events and cultures that Tolkien used to create his world. My favourite of his imaginary locations is Lothlorien.

I always felt that sci-fi and fantasy were my thing. Bit of a geek, I'm afraid. But I like creating worlds, and I felt it was a genre that gave me more freedom. It just seemed like I belonged there.

My silver cord - the link between my body and my spirit - was extremely sensitive. It was what allowed me to sense dreamscapes at a distance. It could also snap me back into my skin.

London had so much death in its history, it was hard to find a spot without spirits. They formed a safety net. Still, you had to hope the ones you got were good.

I was mostly an indoor girl at university. Where other students did drama or music or sport alongside their degrees, I wrote. I used to work on essays and classwork during the day and 'The Bone Season' in the evenings.

Whenever anyone calls me 'The new J..K. Rowling,' I think, 'What's wrong with the old one?'

I've never had a supernatural experience. I've been tempted to maybe have a tarot-card reading, but I don't know if I'd necessarily want to know.

I know what I want to achieve in each book and the major points, but I don't plan right down to the chapters. I think that the characters write themselves in some degree.

In 2011, I did an internship in Seven Dials, a junction in London where seven roads come together. I'd given up on writing after multiple rejections for my first novel, and I was starting to consider a career in publishing instead, but Seven Dials gave me such a strong idea for a setting that I couldn't resist picking up my pen again.

I like to imagine there were more of us in the beginning. Not many, I suppose. But more than there are now.

I looked at him and he looked at me. A moment. A choice. My choice. His choice.

his thumbs ran over my cheeks. Our foreheads touched. My dreamscape scorched. He set fire to the poppies

I do not know what I can do for this world but I will not let any harm come to you

I would never see him again. But as I watched the tunnel race before my eyes, I was certain of one thing: I did trust him. Now I had only to trust in myself.

There are certain things in life that you never forget. Things that dig deep, things that nest in the hadal zone.

They'd branded me like some kind of animal. Lower than an animal. A number.

My father thought I would lead a simple life; that I was bright but unambitious, complacant with whatever work life threw at me. My father, as usual, was wrong.

Not all of us know what we are. Some of us die without ever knowing. Some of us know, and never get caught. But we're out there. Trust me.

I don't know. I just want you with me. I had never said those words aloud. Now that I could taste my freedom I wanted him to share it with me. But he couldn't change his life for me. And I couldn't sacrifice my life to be with him

Knowledge is dangerous. Once you know something, you can't get rid of it. You have to carry it. Always.

Writing a novel is like knocking on a door that will never open. You are so desperate to get in, you will say or do anything. You feel: please take my novel,

Words are everything. Words give wings even to those who have been stamped upon, broken beyond all hope of repair.

Nothing’s worse than a story without an end.

I was born in 1991, and Harry Potter came out in 97, so, you know, I was really obsessed. I used to read them in one night.

I always felt that sci-fi and fantasy were my thing. Bit of a geek, Im afraid. But I like creating worlds, and I felt it was a genre that gave me more freedom. It just seemed like I belonged there.

I fell even more deeply in love with Tolkiens legendarium after studying Old English literature at uni, as I got a sense of the historical events and cultures that Tolkien used to create his world. My favourite of his imaginary locations is Lothlorien.

There was no normal. There never had been. "Normal" and "natural" were the biggest lies we'd ever created.