Shirin Neshat Quotations

Magical realism allows an artist like myself to inject layers of meaning without being obvious. In American culture, where there is freedom of expression, this approach may seem forced, unnecessary and misunderstood. But this system of communication has become very Iranian.

I believe and support the feminist movement, but I am not generally interested in considering women's rights in relation to equality with men, or in a competition with men, but rather within their own rights and feminine space.

I believe we don't need to widen the divide between the West and Islam. Rather, we need to build dialogue to encourage tolerance and respect.

I'm really interested in social justice, and if an artist has a certain power of being heard and voicing something important, it's right to do it. It could still be done in such a way that it's not aggressive or overly didactic. I'm trying to find that form.

Being political is an integral part of being Iranian. Our lives are defined by politics.

There is nothing negative about a group of people crying out for democracy - and if my voice counts, I will be vocal.

Every Iranian artist dreams of the black market. We don't care about making money.

My father was a doctor, but he was what I would call an intellectual - very well-read and very interested in knowledge. He insisted that I get as much education as my brothers.

I think of myself, an Iranian/American artist, and wonder what would I want if I'm ever imprisoned by the Iranian government for the work that I make? I answer: I would hope that the United States government comes to my rescue.

The first years of my life in the U.S. were very difficult.

Those of us living in the state of in between have certain advantages and disadvantages. The advantage of being exposed to a new culture and in my case the freedom that comes with living in the USA. The disadvantages of course being that you will never experience again being a center or quite home anywhere...

Art is no crime. It's every artist's responsibility to make art that is meaningful

Poets use metaphors and symbolism to construct images. I construct my images in the same way, except that I am using a different form.

In this Western world that we have, culture risks being [only] a form of entertainment.

Beautiful woman wrapped in chadors, with huge machine guns in their hands. Brilliant, shocking, amazingly contradictory images. They compelled me to deeply investigate these ideas.

Every Iranian artist, in one form or another, is political. Politics have defined our lives.

I find that through the study of women, you get to the heart - the truth - of the culture.

Part of me has always resisted the Western clichéd image of Muslim women, depicting them as nothing more than silent victims. My art, without denying repression, is a testimony to unspoken female power and the continuing protest in Islamic culture.

Art is our weapon. Culture is a form of resistance.