We started the label basically to do roots-type music, whether it be Ricky Skaggs or, say, the Whites, or anybody that I feel has a heart for roots music and no real market or label that will give them an opportunity to do something like that.
When I came here it wasn't that I was anti-Music Row, but it was like I was going against the grain of what everybody on Music Row was doing, and that's what has made me successful.
I think the country as a whole is embracing this music more than it ever has.
It doesn't matter if you stick the name 'bluegrass' on it. I think people call things bluegrass that I wouldn't necessarily call bluegrass, but what they're calling country music today I'm not sure that I would call country music. But I love music and I try to encourage people.
I mean, I could tell that I really had... a precious gift. And I'm so glad that I have followed through with it and really used that gift and nurtured it, honed it, made it sharp and tried to use it as a tool now to make music and to make a living for my family.
The difference between me and the newer artists is that I have the history with the architects, the masters that started the music. I know where the music came from.