Tim Cahill Writing Quotations

You become a better writer by writing. You become a better travel writer by writing about travel.

As one of the first editors at 'Outside' magazine in 1975, it was my contention that most American writing going back to James Fennimore Cooper and then through Twain up to Hemingway had been outdoor writing. At that time, adventure writing meant stuff like 'Saga' or 'Argosy.' 'Death Race with the Jungle Leper Army!' That kind of thing.

The dirty little secret about adventure writing is that something has to go wrong.

There's a story everywhere. Being bored to death someplace is basically a funny proposition. What you have to watch out for is you don't write a boring story about a boring place.

Publishing your work is important. Even if you are giving a piece to some smaller publication for free, you will learn something about your writing. The editor will say something, friends will mention it. You will learn.

You have to first be a writer and somebody who loves to write. If I couldn't travel, I would still write.

My first real writing job was at 'Rolling Stone,' so I wrote about rock-and-roll and politics and the like. At the time, I really didn't know what I wanted to write, and I did a bunch of investigative journalism.

It's often hilarious to me that I'm writing about Tonga or some tropical place and there's a blizzard outside and the cows are on their backs with their hooves in the air.

Editors, for the most part, don't care ''what'' you've done, or how astounding the physical event may have been. You need to write well. Many others are capable of doing what you have done (probably), so you must write better than they...

It occurred to me that for a long time I tried not to write about my own backyard and my home. I suppose I was selfishly keeping it to my self. And in doing so, I was never able to get out into this incredible wilderness area - by the way, I live right at the edge of the most incredible wilderness area probably in the northern hemisphere.

I write early in the morning. I just wake up whenever I feel awake and I have to be sitting and writing pretty soon after that. If I take too long to think about the impossibility of what I'm trying to, I'll be defeated by it.

Many people go into the wilderness to experience it, and if they experience it in comfort, there's very little in a literary sense for them to write about.

I see many people trying to write well about the wilderness, and essentially failing. To me there are basically two aspects of a failed outdoor story. One is the phony epiphany on the mountain top.