Berenice Abbott Graph Quotations

To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world. Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today. The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.

Abstraction in photography is ridiculous, and is only an imitation of painting. We stopped imitating painters a hundred years ago, so to imitate them in this day and age is laughable.

I haven't seen too many images that have impressed me!

Actually, documentary pictures include every subject in the world - good, bad, indifferent. I have yet to see a fine photograph which is not a good document.

What to me is anathema - a corpse-like, outmoded hangover - is for photography to be a bad excuse for another medium. ... Is not photography good enough in itself, that it must be made to look like something else, supposedly superior?

The lens freezes time and space in what may be an optical slavery or, contrarily, the crystallization of meaning. The limits of the lens' vision are esthetically often a virtue.

I'm not a nice girl. I'm a photographer.

You scientists are the worst photographers in the world and you need the best photographers in the world and I'm the one to do it.

The camera is no more an instrument of preservation, the image is.

I wanted to combine science and photography in a sensible, unemotional way. Some people’s ideas of scientific photography is just arty design, something pretty. That was not the idea. The idea was to interpret science sensibly, with good proportion, good balance and good lighting, so we could understand it.

I believe there is no more creative medium than photography to recreate the living world of our time...Photography gladly accepts the challenge because it is at home in its element: namely, realism-real life-the now.

Photography was the medium preeminently qualified to unite art with science. Photography was born in the years which ushered in the scientific age, an offspring of both science and art.

...the art is in selecting what is worthwhile to take the trouble about...

I have yet to see a fine photograph which is not a good document.

I took to photography like a duck to water. I never wanted to do anything else. Excitement about the subject is the voltage which pushes me over the mountain of drudgery necessary to produce the final photograph.

I agree that all good photographs are documents, but I also know that all documents are certainly not good photographs. Furthermore, a good photographer does not merely document, he probes the subject, he ‘uncovers’ it …

Imagine a world without photography, one could only imagine.

The challenge for me has first been to see things as they are, whether a portrait, a city street, or a bouncing ball. In a word, I have tried to be objective. What I mean by objectivity is not the objectivity of a machine, but of a sensible human being with the mystery of personal selection at the heart of it. The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework - that to me is the art of photography.

Photography doesn't teach you to express your emotions; it teaches you how to see.

Photography can never grow up if it imitates some other medium. It has to walk alone; it has to be itself.

Photography helps people to see.

Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times - the pulse of today.

Does not the very word 'creative' mean to build, to initiate, to give out, to act - rather than to be acted upon, to be subjective? Living photography is positive in its approach, it sings a song of life - not death.

photography is not only drawing with light, though light is the indispensable agent of its being. It is modeling or sculpturing with light, to reproduce the plastic form of natural objects. It is painting with light ...

Pictures are wasted unless the motive power which impelled you to action is strong and stirring.

Photography can only represent the present. Once photographed, the subject becomes part of the past.

Let us first say what photography is not. A photograph is not a painting, a poem, a symphony, a dance. It is not just a pretty picture, not an exercise in contortionist techniques and sheer print quality. It is or should be a significant document, a penetrating statement, which can be described in a very simple term-selectivity.

I didn't decide to be a photographer; I just happened to fall into it.