Dennis Haysbert Quotations

The fact that I'm an African-American man as a lead, it really doesn't surprise me at all because I've never seen myself as a victim or any of those things. I just thought that when I wasn't a lead before, it was just shortsighted.

There is definitely a certain cadence to David's work. You'll see his fingerprints all over the scripts. It really makes for entertaining dialogue. They were really fun to say.

There is definitely a certain cadence to David's work. And as you see more of the episodes, you'll see that his fingerprints are all over scripts and it really makes for entertaining dialogue, and they were awfully fun to say.

All of the directors I work with have their own unique gifts. My particular segment deals with online dating. It's a very interesting take on it, and a great observation of what goes on there.

I knew that they were going to be reading actors for Manute, and I wanted to give it a shot. I wanted a shot to do it, and they embraced that and said, "All right, come on in. Let's see what you've got." So, I went in, and the rest is history. It felt good when I went into the office, and it just worked.

I definitely wanted to pay homage to what he did and use his performance in the first one as a foundation. But, I had to make it my own. I couldn't sit there and try to imitate Michael Clarke Duncan. I think that would have been disastrous. I had to make it my own. I tried to take as many nuances that he had with the character and utilize them as best I could, while creating a character that was unique to me. That's going to happen, no matter what.

No matter what you set out to do and how you set out to do it, you ultimately have to be who you are, and who you are as that character. So, I paid as much homage as I could to what Michael Clarke did, and had to rely on my own gifts to guide me through it.

There's part of it when Manute has both eyes. And the character was actually fleshed out a lot more, in this movie. I got to show people who Manute is and why he is and how devout he is. He is Ava's protector and punisher.

I took to it very quickly. I'm very imaginative anyway, and it just set off that part of my brain. It made me focus in on the actors a lot more. I didn't have the distraction of looking at my surroundings.

Realizing that my surroundings were going to be built around me, the way that I performed, we helped the directors through the performance, to create the world that we were going to be seen in. I was very fascinated with that.

It's the chauffeur's outfit from hell, right down to the alligator shoes. I was wearing these alligator shoes and this very interesting and haunting chauffeur's outfit, but what really did it for me was the hat. And then, when I eventually get my eye taken out, the gold eye really brought it home for me.

First of all, I never think of my characters as good or evil. I play them as honestly as I can. When you're playing a good character, you have an idea that you're playing the hero and the good guy.

Actually, I think you're more stymied playing the good guy than you are the bad guy. As the bad guy, you have no inhibitions. Nothing stops you from doing what it is you feel you have to do. You do it because it's what's required. I have to protect my goddess, as best as I can.

As far as I'm concerned, I'm the good guy. I'm doing my job. That's how I look at it. I don't look at it as good or evil. I look at it and say, "I have a job to do. I love this woman. I love the people that I work with. They take care of me. I'm going to do whatever I can for them."

Europeans have a different take [on nudity] than American actors do. They're not quite as hung up.

Being on set and seeing all that green screen, and how it activated my imagination, was amazing to me. I fell into that world very easily, and it was incredible to be a part of.

I would love a combination of action/adventure and... love. And stories told with heart. I would like people to be invigorated as well as moved. People to see the movie and see that. I love to play, y'know, well-rounded characters.

It's really quite an interesting dynamic. I wanted to play to the truth of who Manute was in the first film, while it's also a prequel and the originator [of the story]. It was an interesting dynamic to work with, definitely. I haven't seen the film yet, but the way it felt when I was doing it, it felt like it worked.

I've studied theater since high school. Of course, it's a different story altogether being on Broadway, but it's still theater, and you have to be in front of a live audience, and that's very exciting. It's something I've definitely wanted to do, but I got involved in movies and television, and then it became a luxury to get back on the stage.

I played a little basketball, but basketball interfered with theater season. That's when we did our term plays and did nutshell versions of Shakespeare for English classes. And, believe me, I got a fair amount of looks from the guys on the team. 'You're in theater but you can play football?'

I love emotion. I love being in love. And showing that on screen. I think it's wonderful.

He is a man of great personal power, honor and honesty. I saw in him a really good man who would make a great president.

I think that (my character) President David Palmer was the voice of conscience on that series, and it was a mistake to take that voice away. Of course, as an actor, I'm happy that I can now work with Mamet.

Success has come late in my life, but it feels right for me now. And better to come late than never.

I think I'd make a great superhero. I'm serious. I want to play a superhero, and I've already got one in mind. I think I've still got the body for the costume, and it's something I really want to do.

I would love a combination of action/adventure and... love. And stories told with heart. I would like people to be invigorated as well as moved. People to see the movie and see that. I love to play, y'know, well-rounded characters.

When you work on big commercial movies, of course there's more money involved and you can still do some good work. But with an independent, you get films that are really close to the writers' and directors' heart. Somehow it becomes a little deeper. A little more meat and not as much flash.

Sometimes you have to laugh to keep from crying or getting overly angry or to maintain control.

I took one thing to heart that I heard from Sidney Poitier in 'Guess Who's Coming to Dinner.' And it resonated so much with me. He says: 'Dad, you always looked at yourself as a black man. I look at myself as a man.'

If I weren't an actor, I'd either be a teacher or a critic.

I like to think I'm multi-faceted. Actually, my favorite roles are roles like in 'Far from Heaven.' Y'know. Soft people. Loving people.

I didn't think Palmer should have been killed at all. I didn't like the message that it sent. There is too much meanness in the world - why kill off a character that is so loved by everybody?