Of course performing talent, that's clear. Maybe this is not so well-known among young people who are interested in music, who are talented in music, but they're trying to figure out how to go about it.
I'm trying to conduct only five months a year, and the rest will be composing time. I'm trying to spend as much as I can out of those months here in L.A., because for creative work, this is a fantastic place.
I think we are in the process of getting the word out, and we haven't done very well yet. But we are trying.
Every orchestra I know, every opera house I know, is desperately looking around trying to find new talent, new composing talent, supporting young composers, supporting new ideas, supporting new ways of getting the message across.