J. D. Salinger Art Quotations

I suspect that money is a far greater distraction for the artist than hunger.

The worst thing that being an artist could do to you would be that it would make you slightly unhappy constantly.

I don't know what good it is to know so much and be smart as whips and all if it doesn't make you happy.

Keep me up till five because all your stars are out, and for no other reason…Oh dare to do it Buddy! Trust your heart. You’re a deserving craftsman. It would never betray you. Good night. I’m feeling very much over-excited now, and a little dramatic, but I think I’d give almost anything on earth to see you writing a something, an anything, a poem, a tree, that was really and truly after your own heart.

An artist's only concern is to shoot for some kind of perfection, and on his own terms, not anyone else's.

Yet a real artist, I've noticed, will survive anything. (Even praise, I happily suspect.)

If only you’d remember before ever you sit down to write that you’ve been a reader long before you were ever a writer. You simply fix that fact in your mind, then sit very still and ask yourself, as a reader, what piece of writing in all the world Buddy Glass would most want to read if he had his heart’s choice. The next step is terrible, but so simple I can hardly believe it as I write it. You just sit down shamelessly and write the thing yourself. I won’t even underline that. It’s too important to be underlined.

You take somebody that cries their goddam eyes out over phoney stuff in the movies, and nine times out of ten they're mean bastards at heart.

Your heart, Bessie, is an autumn garage.

However contradictory the coroner's report — whether he pronounces Consumption or Loneliness or Suicide to be the cause of death — isn't it plain how the true artist-seer actually dies? I say that the true artist-seer, the heavenly fool who can and does produce beauty, is mainly dazzled to death by his own scruples, the blinding shapes and colors of his own sacred human conscience.

I submit that Zooey's face was close to being a wholly beautiful face. As such, it was of course vulnerable to the same variety of glibly undaunted and usually specious evaluations that any legitimate art object is. I think it just remains to be said that any one of a hundred everyday menaces — a car accident, a head cold, a lie before breakfast — could have disfigured or coarsened his bounteous good looks in a day or a second.

As nearly as possible in the spirit of Matthew Salinger, age one, urging a luncheon companion to accept a cool lima bean, I urge my editor, mentor and (heaven help him) closest friend, William Shawn, genius domus of The New Yorker, lover of the long shot, protector of the unprolific, defender of the hopelessly flamboyant, most unreasonably modest of born great artist-editors to accept this pretty skimpy-looking book.

But where does by far the bulk, the whole ambulance load, of pain really come from? Where must it come from? Isn't the true poet or painter a seer? Isn't he, actually, the only seer we have on earth? Most apparently not the scientist, most emphatically not the psychiatrist.

Were most of your stars out? Were you busy writing your heart out?