We always want to live in an environment where there's no artificial block to good work.
We take it for granted sometimes that certain parts of our history are told, and we take it for granted that we know all that stuff, and we move forward along on that basis, but there are also massive gaps, and we have to try to address them.
I don't tend to offer up a critique unless I have a clearly formulated alternative, because there's nothing worse than people on a set or any kind of artistic life who critique something but who don't have anything to offer.
Reading the script, I had a strong feeling for the character. She has this brassy, cabaret quality, but she wears her heart on her sleeve, and I thought she was one of the most captivating characters I'd ever read.
I do like sci-fi. When I was a kid, I was always sort of locked into sci-fi stories. So, sci-fi has always had a special place in my heart.
I became an actor by doing school plays and youth theaters, and then National Youth Theatre of Great Britain. And then I did study at the London Academy of Music and Dramatic Arts. For me that was a good way to enter the field, to work in the theater.
I think when I was doing 'Amistad,' I was just too young to really understand what the process was, and beyond that, I hadn't really got involved. It was just somehow - and I thought that the artistry was all in the theater.