Conor Oberst Thinking Quotations

I've cried, and you'd think I'd be better for it, but the sadness just sleeps, and it stays in my spine the rest of my life.

When I was younger, I was somewhat of an idealist. I guess I'm a little bit more of a realist now. I think there's a lot that can be done to make the world a better place, but it's more about choosing your battles.

Considering our history, I can think of nothing more American than an immigrant.

The one recurring theme in my writing, and in my life in general, is confusion. The fact that anytime you think you really know something, you're going to find out you're wrong - that is the rule. The moments where you think you have something figured out, those are the exceptions.

I've thought about the idea of, 'Can happiness and creativity co-exist?' So much of what I've done, I think, has been based on being dissatisfied or incomplete or lonely. The answer is, 'There isn't an answer, necessarily.

If the world could remain within a frame like a painting on the wall, I think we'd see the beauty then and stand staring in awe.

I think there's a danger, for me at least, in retreating and going inward and depression. I have to stay diligent against that tendency.

Life is always surprising to me. When you think it's going to get dull, it never really does.

When you're 16 or 17, I think like most people that age, the first time you experience certain things in life, whether it's heartbreak or death or love, obviously it's going to seem like a much bigger deal.

On good days, I can see the inherent goodness in people, and that human beings have a high capacity to learn and adapt. But things like the environment, nuclear weapons and ideas like peak oil - if you think about them too much, they can really freak you out.

People resist change; if they like something, then they want you to keep doing it over and over - but I think if you like what a particular band or artist does, then you should want to see what they're going to do next.

I like science fiction. Arthur C. Clarke, Philip K. Dick and Vonnegut, and I really like Margaret Atwood, 'The Handmaid's Tale.' And you know, so much of science fiction has to do with predicting what's to come, so I think that's really interesting.

I think there's so much about Rasta culture that's interesting. Just the idea of preaching one-ness, that we're all in this together.

I think it is more like a ghost that has been following us both. Something vague that we're not seeing, something more like a feeling.

I think our music is more about seeing ourselves in each other and trying to find a more humanistic viewpoint for the world.

I think there's a weird self-affirmation thing that happens in popular music in general. It seems like every song I hear on the radio is like, "Listen to me roar!" or "This is my fight song!"

I think that hip-hop is more of an individual effort. That means you're an artist from the streets, they expect you to rap about the streets, because that's what happens there.

My feeling is that I think writers in general tend to be self-conscious and it takes a bit of a leap of faith or just not giving a sh-t to write something you know people are going to criticize.

I'd rather be working for a paycheck, than waiting to win the lottery. Besides, maybe this time it's different, I mean, I really think you like me.

Maybe there's a different story when it comes to hip-hop or different genres, but as far as rock music goes, I think there is a sort of fear of saying things people might be apt to criticize. Our band is the opposite of that.

And I never thought this life was possible,You're the yellow bird that I've been waiting for. In polaroids you were dressed in women's clothes Were you made ashamed, why'd you lock them in a drawer? Well, I don't think that I ever loved you more Well let the poets cry themselves to sleep And all their tearful words will turn back into steam The sound of loneliness makes me happier

In a way, to have whatever people talk about as "crossover success," I think it means you start making bad music. I mean, when I'm flipping through the channels and see the VMAs or something, I don't really see any music there.

I think different musical collaborators bring out different qualities in my songs and I like that.

I do think that music has a special ability to get behind enemy lines and win hearts and minds.

Hip-hop music has done a very good job of maintaining the political context, where they stand and not giving a sh-t what people think.

I came upon a doctor who appeared in quite poor health. I said, 'There's nothing that I can do for you that you can't do for yourself.' He said, 'Oh yes you can. Just hold my hand. I think that that would help.' So I sat with him a while then I asked him how he felt. He said, 'I think I'm cured.'

I've given up trying to understand what people think about me.

Since the songs were written over a five-year period, I think these are little snapshots. Some people call it political or topical, but I think each song is self-contained. I think it fits together as a picture of the last half-decade of time.

I try not to think about the idea of reaching more and more people, because once you get in that mindset, I think you lose the point of why you're doing it in the first place. Still, the best feeling I ever get is when I finish a song, and it exists, and it didn't exist before, and now it's there, and it makes me feel a certain way.

It's not what you know, but what you're thinking half the time