I'd be perfectly happy never to have to answer anything again about how I work with Ethan, or whether we have arguments, or... you know what I mean? I've been answering those questions for 20 years. I suppose it's interesting to people.
I think when you watch the dailies, the film that you shoot every day, you're very excited by it and very optimistic about how it's going to work.
These things are hard to pin down. We work on a script a bit, then work on a different one.
People that have been interested in our work for awhile... those are the last people you want to disappoint.
And when you see it the first time you put the film together, the roughest cut, is when you want to go home and open up your veins and get in a warm tub and just go away. And then it gradually, maybe, works its way back, somewhere toward that spot you were at before.
The point at which we worked with some of these actors, they weren't really stars yet. Nicolas Cage was not a big star when we did Raising Arizona. A lot of these people were also virtually unknown, too, when we worked with them first.