Johnny Vegas Quotations

I get obsessed with decorations and decorating the house. I keep it tasteful outside, but when you get inside it is a bit like Blackpool illuminations, I go bonkers!

There's a domino effect with certain things you say.

People are always asking, 'Where does Michael Pennington end and Johnny Vegas begin,' and you're going, 'It's not like that: it's blurred right across.'

It is easy for me to love myself, but for ladies to do it is another question altogether.

I couldn't be 'Johnny' in front of a camera in acting jobs and behind the camera I like to be 'Michael.' With directing, you can't do it by halves. There's a lot of reflection, and I have found that I, as 'Michael,' thrive on it. It's lovely coming home and feeling that stuff from a day's work as myself.

'Johnny' was always a lone wolf when he got on stage. Him against the world, whereas suddenly, when I got into acting, people were relying on me.

I came back from university thinking I knew all about politics and racism, not knowing my dad had been one of the youngest-serving Labour councillors in the town and had refused to work in South Africa years ago because of the situation there. And he's never mentioned it - you just find out. That's a real man to me. A sleeping lion.

When I wasn't as attractive as I am now, I suffered at the hands of cruel children and their taunts until I realised that confidence and a bit of aesthetic care can overcome that.

I am very proud of what 'Johnny' achieved in stand-up comedy because he believed entirely in giving an audience the best kick he could. But he was someone who was quite detrimental to my health, both emotionally and physically.

I trained to be a priest - started to. I went to seminary school when I was 11. I wanted to be a priest, but when they told me I could never have sex, not even on my birthday, I changed my mind.

It's lovely being a parent and being in a strong marriage with somebody who is your best friend.

I'm getting positive feedback for my acting so we'll see if any other interesting parts come up.

I came from a very loving home, had a happy life with no great aspirations, but going to the seminary changed me. There was a chunk of my childhood missing. Once I'd realised it wasn't for me, I still felt a tremendous pressure to continue for fear of letting everybody down.

I found popularity through self-destruction, and that can be quite addictive.

We all have days where we can't pronounce things or give it the emotion it deserves.

I hate flying, airports and the whole rigmarole - queuing up, security and lost luggage.

I've got little ankles and a bit of a belly, so it makes me look rather an egg on legs.

My first holiday to San Francisco in 1998-99 was supposed to be a two-week vacation but I ended up staying five weeks and nearly didn't come home.

I thought I could play the hellraiser and then put 'Johnny Vegas' back in his box. I found popularity through self-destruction. The more you damage yourself, the more people are drawn to you, and that can be quite addictive. It is not a lifestyle you can maintain.

We had a week off in the middle of shooting, but as soon as everyone stopped, we all went down with six different types of flu and other unmentionable diseases.

I'm loath to use my personal life to promote what I do, but at the same time, I don't like a journalist going away with no more than you could get off Wikipedia, where most of it's invented anyway.

I used to be good with kids, but as I get older, I'm grumpy and terrible with them. As for doing a gig at a 6-year old's birthday party, you couldn't pay me enough.

I've been offered all the reality TV shows but have turned them down. If I did it as 'Johnny,' there'd be no jungle left! It was really hard regaining control of myself, so I am reluctant to let 'Johnny' back out of the box.

I actually enjoy being heckled; it keeps it interesting, and I think it is a nice feeling for people once they have left the show.

Baldness is visually enough of a stigma as it is without a big sweaty bloke on stage pointing it out.

I've always been looking for other people's approval.

Never try to be witty with U.S. airport officials. It's always lost on them and you'll find yourself being put back on the plane.

From a certain age, I sort of accepted myself for what I was. And although to other people it was like nothing ever goes right, I had a really nice attitude that I'd inherited from my parents, and especially from my dad.

I always say that the stand-up world is the arena of the unwell, and it is.

My name is Michael Pennington, and I am not a comic character.

I think men going bald is certainly off limits, coming from a family as I do, where it's in our gene pool and it could one day happen to me.

'Johnny' was a coping mechanism who could take those things which could have ordinarily destroyed me, by tweaking my past and throwing it back out there, getting laughs from things that would have otherwise upset me.

You get people who come to London, sever links with where they come from, and then when they need people, there's nobody there. To feel like you can't go back home would be a horribly sad place to be, as is mistaking fame for genuine love and affection.

This autocue was obviously written for someone else and I've been brought in at the last minute.

I wanted to try and trace the genuine origins of 'Johnny' and how he so successfully staged this takeover of 'Michael Pennington.' 'Johnny' is a contradiction to who I am as a person. I'm not very good at confrontation, I have a tendency to internalise and to carry things around.

I want to be buried with Monkey. The thought of anybody else working with him would be too much.

There's this idea that it has to be made in London. But we've got everything up here, and if you've got comics who are gifted because of where they're from, you shouldn't drag them away from that natural resource.

There was always that thing with 'Johnny' - I always saw myself as his writer and PR. But when he got out there, I had no control. His whole thing was going off on those flights of fancy. Going, 'Let's see what we can possibly do that hasn't been done before up here.' And when it works, it's lovely; it's a great night.

In credits, I'm 'Michael' sometimes now, but people know you as something, so there's no point fighting it. 'Squiggle,' you'll always be 'Prince,' and 'The Rock,' just accept it. I want to move on, but not that much. So I'm still known as 'Johnny Vegas.'

If you write, produce and direct, you own things and see them through to the end.

I get all kinds of ages, it really does range from silly drunk old men to silly drunk young lads. And the same goes for the females.

Being behind the camera is where I feel comfortable. I've found something that I feel I, as 'Michael,' can be as confident in as 'Johnny' was on the stage. It's great being part of the creative process. You're right at the start of an idea, and you get to see it all the way through till the end.

If I see somebody visually challenged, I won't purposefully focus in on them unless they call me names, and then I'll call them back.

I don't want to demonise 'Johnny.' I was really proud of what he achieved. Especially within stand-up. He was quite a unique voice. I will always possibly be trading off 'Johnny's name, but there's a lot more things that I'm able to do now - the strengths that 'Michael' can bring to it.

I'd never experienced stress before I did stand-up, and it was a massive shock to my system, this thing of waking up, and the nerves of, 'You're on stage tonight.'

I do need to explore my faith, because it has got lost over the years and it has been kind of tainted through experience. But I also know it's enriched my life, my dad being a Catholic.

Comedy's so subjective, and if someone comes to watch, doesn't get it, doesn't find it funny, then fine.

You don't want to be flattered and become big-headed by getting awards. But, well, I am.

You know, there's that temptation in interviews to make yourself sound - well, to give yourself a bit of mystery.

I also want to return to doing stand-up. I've become frightened of live audiences. This is a really telling sign that I need to go back on the comedy circuit again.

I think it sort of dawns on you that if you're not gigging constantly you're not actually relevant. You may be relevant to a different part of the media now, to television commissioners and editors, but to a young live-comedy audience you're not, really.

I've always said that with kids' TV that people get stuck in it from drama school but that's not fair because I know myself that when you go in creatively, kids are so much more open to ideas. You're so much freer to mess about and try things.

There's lots of stuff about me being a fan of Cliff but not being gay. Which suggests that he is, but he's not. Anyway, this is Channel 4, let their lawyers sort it out.

They look outside the windows of their apartment in town and realize they're not living in a terrace anymore. This is a room full of dreamers who like to go to London for a day.

You can sway an audience if you win the women over. The gentlemen will follow 'cause they can be so foolish like that at times, they are easily led.

With stand-up you've just got that one chance. Audiences can be quite fickle.

I've got my finger in a lot of pies.

If an original piece of wardrobe came up from Star Wars, I'd probably spend a lot of money on it.

My agent once said, 'You're not very driven.' And it's true. I'm not the type to ring up and go, 'Get me this part!'

My forte is playing drunks down the ages. When my agent rings me about a role, I don't ask what the part is, but what century it's in.

Never try to be witty with U.S. airport officials. It's always lost on them and you'll find yourself being put back on the plane.

The cheese board is my big treat at Christmas that I have to deny myself during the rest of year.

I've got too much respect for stand-ups to call myself one.

Being 'Johnny' was almost like an out of body experience. I thought he was just a character that I'd created and could quite easily step away from, but it was much more difficult than that.

The people on the QVC shopping channel convince me that life is worth living. They see the good in everything. People who go to counselling should actually go to a room with a QVC seller for half an hour and let them find the qualities within them. For example, they'd look at me and say, 'To anybody else this looks like a stomach but, actually, his feet never get wet in the rain.

Oh, I'm terrible at travel.

The idea of being on TV 24 hours a day and people seeing the real me... No.

There is something more spiritual to us than what we are on this earth, but how you access it I'm not sure.

You always hear people saying, 'I hope I'm not turning into my dad', but I'd be honoured if I became half as decent a bloke as he is.

I think I'm realising more and more that I've got a job to do and I can't be doing the big nights out and working to my full potential the next day. I feel much better for it.

It can be tough as a jobbing actor.

My work's never been accepted by my family, but it's something I'll always carry on with.

Up North you are holding your own. Everyone considers themselves a comedian.

I sang 'American Pie' a lot in my stage set. It had a knack of uniting an audience in a sing-along. It's a clever song about American history but wrapped in a fantastic tune.

I struggle as a writer, and I'm convinced that if I was at school now, I'd be termed as having ADS. Two minutes and I'm drifting.

Some comics are in it for what they can get out of it. Others are in it for a love of comedy. I think those that are in it for a genuine love of comedy find each other within the circuit and become friends.

There have been times I've finished a big job and thought, 'Great, a couple of weeks off.' But then a couple of weeks turns to three weeks and then after a month you're staring at the phone willing it to ring.

I was loved as a kid; I was raised with more love and emotional support than most folks could wish for my memories aged nought to ten are all bound up together in a mesh of innocence and fun.

Writing a book about yourself is like therapy, and you go 'Oh My God, that's the reason that happened.' Writing about it, you're forced to really examine things.

Health-wise, I couldn't have said what my life expectancy would've been if I'd just carried on doing solid blocks of stand-up.

Had I become a priest, the sermons would've been electric!

For the greater good, I thought I should be a spiritual leader for people for some reason.

Class still matters in Britain today.

I always feel like an interloper when I do serious drama. It's my own paranoia.

I am a big fan of smelly cheeses but the rest of the family don't seem to be particularly keen on them.

I avoid any kind of organised trips as that's one of my bugbears.

I used to attract a lot of feeders. I'd be quite happy to be locked in someone's flat and fed liquidised burgers.

I use very few muscles at the best of times.

I think if you're at the point where you're popular enough to sell your wedding photos to OK! Magazine then you don't need the money.

I still give myself the right to be highly critical of others, though.

I had a massive amount of self-belief when I did stand-up.

I believe that Britain is becoming more class-conscious, and I quake at the very idea of Old Etonians ruling the world again.

I've spent lots of time in London, I studied in London, I like London. It's just not my home.

You can't be a proper comic unless you've been out on stage and felt the fear.

I love the way my weight fluctuates in the newspapers. It was 18 stone and then people look at a bad picture of me and add a few more stone on. I think the highest was 22 stone.

The fun is being able to have a show that you can do but then always being able to look out for that opportunity to do something different.