I always tend to think just left of center, to remove myself from the world by one step. It is very freeing, and it's a particular way of coming at stories and looking at them that I find the most beautiful stuff that I know comes from, ultimately.
Everything we do really is just a little marker on the long road to death. And sometimes that’s overwhelmingly depressing to me, and sometimes it makes me feel kinship and forgiveness. We’ve all got the same ending to the story. The way we make that story more elaborate, I got to respect.
I'm the least confident person in so many ways. But I believed that if somebody gave me the chance to tell a story, I would tell a story [well enough] that the person who gave me the chance would get their money back.
What you cut out becomes part of the story you tell.
No one's going to go see the story of Othello going to get a peaceful divorce.
I think Spider-Man [film], the first one particularly, really figured out the formula of, "Oh, tell the story that they told in the comic. It was compelling. That's why it's iconic."
I tend to tell stories that have a lot of momentum; it's not like 'and then months later...' I like things where the momentum of one action rolls into the next one so everything is the sum of that.
As far as I am concerned, the first episode of Buffy was the beginning of my career. It was the first time I told a story from start to finish the way I wanted.