Kim Gordon Art Quotations

I was kind of freaked out by the art world in the 1980s. Just the money thing. All the competition over artists.

Working on art, as opposed to being in a constant collaborative state, as in a band, is something that I've always done - to a smaller degree, but it always remained a part of my integral self.

Part of my desire to play music was because I wanted to escape the art world and the politics of it; the petty gossip-y art world. But you know, I feel like they're both equal forms of expression.

I've done art on my own, and I've also collaborated with other people to make art. And collaborating with other people is always interesting because you end up doing things you probably wouldn't do otherwise.

I went to art school, and I wanted to be an artist since I was 5. I basically moved to New York to do art, and I just sort of fell into doing music at an early age.

I picked up the bass kind of postpunk-style. There's a real art to not learning how to play an instrument and being able to still play it.

I never thought about doing anything other than making art.

It's hard to get hot over a painting; there's no equivalent for teenage obsessiveness. Art obsession is ideology. Ideology can be made sexy, but it's easier in music.

In The Argonauts, Maggie Nelson turns 'making the personal public' into a romantic, intellectual wet dream. A gorgeous book, inventive, fearless, and full of heart.

It's hard to write about a love story with a broken heart.

I'm not saying Sonic Youth was a conceptual-art project for me, but in a way it was an extension of Warhol. Instead of making criticism about popular culture, as a lot of artists do, I worked within it to do something.

And then, I was thinking of doing a record just like starting with voice, because I did this one song that was just kind of a cappella, and I did it for this art piece I did where people could come and play music to go with a voice

When I was young, there was never any space for me to get attention of my own that wasn't negative. Art, and the practice of making art, was the only space that was mine alone, where I could be anyone and do anything, where just by using my head and my hands I could cry, or laugh, or get pissed off.

It's hard to say when the life of a band starts and stops... but playing music together is an act of trust. When that's broken, it's impossible to continue.

I never really thought of myself as a musician. I'm not saying Sonic Youth was a conceptual-art project for me, but in a way, it was an extension of Warhol. Instead of making criticism about popular culture, as a lot of artists do, I worked within it to do something.

In the early eighties, there were a lot of artists involved with the music scene. All those young artists, before their careers took off, were into music. Robert Longo used to play some guitar. He had a band for a while. Basquiat had a band. I mean, people were always trying to mix music and art - in fact, I'm guilty of it myself.

In a lot of the art world, you have to present yourself as you know what you're doing at a young age. Music gave me another outlet. The 'no wave' bands were such an inspiration; it felt so free - once you start doing it, it's hard to stop. But I can't get away from art. It comes back around. I wouldn't be true to myself if I didn't pursue it.