Michael Graves Signing Quotations

For my first apartment, when I was first married, I went to the lumberyard and bought stuff and made couches. My then-wife made cushions. I was really very interested in furniture. I was in school for architecture, but I had to live, and making furniture was different from designing buildings, which I couldn't do for myself.

Instead of using the machine as a metaphor for architecture, as Le Corbusier did, I use the human body. I want the public to know that it's them I'm designing for.

Design has nothing to do with economic class. If I were designing for Cartier or Tiffany, I would expend the same energy.

Form must never trump function. Some objects are made to look so smooth, you don't know where to pick them up or how to turn them on. If I'm designing a garlic press or cheese grater, I need my hand to fit comfortably on it. I like to know, instinctively, how to use it.

I had been designing for Alessi and Swid Powell and Steuben and high-end people, and people always complained, 'Michael, we'd love to buy your stuff, but it's too expensive.'