Philip Roth Book Quotations

When I have a first draft, I have a floor under my feet that I can walk on. And then, especially with the help of the computer, rewriting is so easy to do with the computer, much easier than it used to be with the typewriter. So the books go through numerous drafts.

I work most days and if you work most days and you get at least a page done a day, then at the end of the year you have 365. So the pages accumulate and then I publish the books.

The book really comes to life in the rewriting.

I think I write or publish as much as I do because I can bear being without a book to work on.

The book can't compete with the screen. It couldn't compete beginning with the movie screen. It couldn't compete with the television screen and it can't compete with the computer screen I don't think. And now we have all those screens so against all those screens I think the book can't measure up.

Each book starts from ashes really. I don't feel that I have this to say or that to say or this story to tell or that story to tell, but I want to be occupied with the writing process while I'm living.

What I would really love to happen to me would be if I came upon an idea that would keep me busy until I die so I wouldn't have to go through the business of thinking up a new book. But I wouldn't mind writing a long book which is going to occupy me for the rest of my life.

I would be wonderful with a 100-year moratorium on literature talk, if you shut down all literature departments, close the book reviews, ban the critics. The readers should be alone with the books, and if anyone dared to say anything about them, they would be shot or imprisoned right on the spot. Yes, shot. A 100-year moratorium on insufferable literary talk. You should let people fight with the books on their own and rediscover what they are and what they are not. Anything other than this talk.

You asked if I thought my fiction had changed anything in the culture and the answer is no. Sure, there's been some scandal, but people are scandalized all the time; it's a way of life for them. It doesn't mean a thing. If you ask if I want my fiction to change anything in the culture, the answer is still no. What I want is to possess my readers while they are reading my book — if I can, to possess them in ways that other writers don't. Then let them return, just as they were, to a world where everybody else is working to change, persuade, tempt, and control them.

When you publish a book, it's the world's book. The world edits it.

Each book starts from ashes.

A life of writing books is a trying adventure in which you cannot find out where you are unless you lose your way.

The long haul kind of wearies me, the thought of doing a book for two or three or years; and you have to rule so much else out of your life. I always knew that literature satisfied a taste for considering life in a certain way, but that it wasn't a guide to living.

It's an admission of the books into perpetuity.