Pictures Quotations

I never expected that. I didn't aim for that. All I wanted was to get some nice pictures of trains at night.

Before I came to New York, I only had a few pictures of the city in my mind. And you know 'That Girl?' Marlo Thomas jumping with her hat? I always loved that, and I wondered what that double street she crosses is. And it's Park Avenue! And that's what I can see out my window.

He asked me whether I had seen the movie 'The Color Purple.' I said no she hadn't. And Bobby said, 'Well, it's a terrible picture. They don't make good, decent, moral pictures nowadays.'

I enjoy passing time in my house. I'll get up, head out on the terrace, think about what to do, fool around oiling the floorboards or hanging pictures askew.

Fashion pictures show people looking glamorous. Travel pictures show a place looking at its best, nothing to do with the reality. In the cookery pages, the food always looks amazing, right? Most of the pictures we consume are propaganda.

Public officials insult our intelligence and our goodwill when they paint rosy pictures about budgets, jobs, bipartisanship, and transparency, and alter their positions on issues simply to keep collecting their paycheck by never disagreeing or disappointing anyone.

I write at a desk. I have a room of my own where I can have my computer. I write in there, usually directly onto my computer. It used to be the room where my two sons used to sleep with the dog and the cat, but now it's all mine. It has pictures of art from my books on the walls.

A good picture book should have events that are visually arresting - the pictures should call attention to what is happening in the story.

I was not out to paint beautiful pictures; even painting good pictures was not important to me. I wanted only to help the truth burst forth.

Pictures are very important. I remember at home we had illustrated editions of Rudyard Kipling's 'Just So Stories' and 'The Jungle Book,' which were read to me. Living in Zimbabwe made it very real, especially the 'Just So Stories' with the 'great grey-green greasy Limpopo.'

I post pictures that I want to post and say what I want to say. If that's three times a day or three times per month, then whatever.

Pictures are much harder to do than the theater... You're at the mercy of the camera angles and the piecemeal technique.

With my pictures, what I hope is that it encourages the reader to imagine more pictures of his own.

My dad was actually against me being a photographer. He thought it was a dead-end job and that you end up doing baby pictures and weddings.

My mother always kept library books in the house, and one rainy Sunday afternoon - this was before television, and we didn't even have a radio - I picked up a book to look at the pictures and discovered I was reading and enjoying what I read.

I want the pictures to be working in both directions. I accept that they speak about me, and yet at the same time, I want and expect them to function in terms of the viewer and their experience.

I'm a big fan of Clint Eastwood, but the Westerns I draw from most directly come from an earlier period in Hollywood. I actually look back at movies like 'Rio Bravo' and others I've liked over the years, and I capture pictures from the movies and use them as a reference for the scenes I create.

As writers, we do our best to conjure a world so vivid that the reader can practically walk through it - but we're still only using words and relying on readers to do a lot of work of imagining. Providing pictures as well as words offers a whole new dimension to the experience of consuming a story.

It's childish, but it still gives me great pleasure to see high-res pictures everyone told me would be impossible.

Today, the paparazzi are not just photographers: everyone has a cell phone with a camera. If they see an actor, they click pictures to show it to their friends or have it on their phones and, as an actor, I don't see anything wrong with it. Having said that, there is a limit that has been crossed, but there is nothing right or wrong.

I believe destiny and hard work go hand in hand. I was studying to be an engineer when my mom and my brother sent my pictures for the Miss India contest. I didn't even know about it. If that isn't destiny, what is?

Why take notes? The obvious reason is to remember. Visual note-taking translates what we hear into pictures that give context, color, and meaning. By adding symbols, visual metaphors, likenesses of people, and room layouts, we add several dimensions.

I've always loved the wild rumpus in 'Where the Wild Things Are' by Maurice Sendak, because the words disappear, the pictures take up the whole page, and we move forward in the story by turning the pages.

I have long believed that celebrity, the way we worship and package and sell our pop stars, is what filled the need for gods that was once filled by the pictures in stained glass. Hollywood is post-Christian Venice - in other words, a pantheon of saints without the hassle and heartache of religion.

All chefs have pictures of food in their phones, stuffed pig's ears and pigs' heads and the like.

When I visit schools, I try to reach kids who perhaps don't have books at home or aren't that keen on reading. Somehow you draw them in with the pictures and then perhaps they'll want to learn more about it. I use a lot of audience participation and find kids who aren't really part of it and try to include them - to draw in those reluctant readers.

When you're out in the military situation, you can't take pictures at night because flashlights. So at night and in bad weather and in dark weather, the cameras went into the fish tackling box, which was waterproof, and I would just use my mind and try to keep quotes there and write down little stories.

Mary, my little girl, was confirmed in a Buddhist temple. She saw the Life write up on Buddhism, with pictures of the ceremony, and she said she wanted to be confirmed there because she only liked Jesus as a kid. She was a little disappointed in him when he grew up.

One of things I like about looking at pictures when you're young and also meeting back with old friends you haven't seen in a long time is, for me, it's a glimpse of who I was.

Well, you know, it's been interesting because an album is just a snapshot of where you are at that time. Not all pictures of everybody are just in jeans and a 'T' shirt, or a ball gown. You have many different sides and this is a snapshot of where you are at that time.

For me, the brand of the camera is not the most important thing. I think you can take good pictures with the camera on your phone.

I shall produce nothing that will offend the proprieties, whether applied to children or grownups. My pictures are turned out with clean hands and, therefore, with a clear conscience which, like virtue, is its own reward.

It's a terrible thing to say I know. I've only done what I wanted to do. It's a real luxury. I only made the pictures I wanted to make and lived in the places I've wanted to live. I'm very, very happy.

I guess there was a little bit of a slight rebellion, maybe a little bit of a renegade desire that made me realize at some point in my adolescence that I really liked pictures that told stories of things - genre paintings, historical paintings - the sort of derivatives we get in contemporary society.

I'm motivated every second by my work; it doesn't switch off. The pictures I make come from every blink of my lashes.

You know, my dad wasn't a photographer or filmmaker by profession, but on Sundays, he would take pictures of me and my family or his pals horseback riding, and it was a means of communication and affection, a means of not being so dysfunctional with each other.

I hope that not only my documentaries, but everybody's documentaries, last. It will really confuse historians in the next century, because they'll have, in addition to all the print material, they'll have all these pictures to look at.

I started taking pictures when I was around 10, so I have been inadvertently been training my eye for it for years. Traveling gave me a ton of practice as well, and the ability, once you learn to properly manipulate and capture light and freeze any moment in time for safe keeping, has always fascinated me.

I have been very fortunate to be able to work and get the opportunity to play different roles. It's nice to do big studio pictures and then work in Glasgow on films like 'Red Road' and then dress up as a vampire or an alien. I think that's why a lot of people are actors - the versatility.

If you don't have a Facebook, like, you're nobody. There's all of these sort of requirements now, and if you don't have all of these things - Facebook, Twitter, etc. - you're made fun of. And Twitter for celebrities... everything is just getting so personal. Pictures of yourself, of what you're eating for breakfast.

When you start writing a picture book, you have to write a manuscript that has enough language to prompt the illustrator to get his or her gears running, but then you end up having to cut it out because you don't want any of the language to be redundant to the pictures that are being drawn.

I remember when an editor at the National Geographic promised to run about a dozen of my landscape pictures from a story on the John Muir trail as an essay, but when the group of editors got together, someone said that my pictures looked like postcards.

My worst hairstyle was a bowl cut parted down the middle. It was the '90s. It was what you did. I had that from 4th grade until freshman year in high school. I'm glad the pictures exist. I had great hair back then.

Of course, Hollywood is still making some excellent pictures which reflect the great artistry that made Hollywood famous throughout the world, but these films are exceptions, judging from box office returns and press reviews.

I was very camera shy. People like hot girls, so I put my music to hot girls and it just became a trend. The whole 'enigmatic artist' thing, I just ran with it. No one could find pictures of me.

I would never deny the importance of the media, but I wouldn't go out of the way to splash my pictures all over town. I'd rather let my work do the talking.

Look, at the same time that I don't want to be a celebrity, I understand that when you make movies you put yourself out in the public eye. I'd be a baby and a fool to be like, 'Why are there cameras taking pictures of me?' when I'm on a billboard for a movie. I think that's a very absurd concept.

I told myself, 'When I grow up, I want to make pictures that can inspire and nourish people.' Immediately, when I was 10, I started photographing nature. I built a darkroom. My first really good darkroom, not just down in the cellar, was when I was 14.

Motherhood has most definitely changed me and my life. It's so crazy how drastic even the small details change - in such an amazing way. Even silly things, like the fact that all of my pictures on my cell phone used to be of me at photo shoots - conceited, I know! - but now every single picture on my phone is of Mason.

I began photographing in 1946. Before that, I was a painter and drawer, with my mother and father's support. They were a bit pissed when I went into photography. They thought photographers were guys who took pictures at weddings.

! discovered photography completely by chance. My wife is an architect; when we were young and living in Paris, she bought a camera to take pictures of buildings. For the first time, I looked through a lens - and photography immediately started to invade my life.

When people in Vancouver do recognize me, they hide it. I went to a store near my home and I know they're 'Battlestar' fans - they have pictures on the wall! - and I know they know me, but everyone was so smooth and pretended I wasn't there. Most people don't realize how good they are at acting in everyday life.

So when I looked at pictures and produced my calendar and edited the pictures, it wasn't just about looking at myself and thinking I'm attractive. I try to take myself out of it and get into the whole process of putting it all together.

I won't lock my doors or bar them either if any of the old coots in the pictures out in the hall want to come out of their frames for a friendly chat.

We spend our spare time taking care of little things. I can watch a little bit of college and professional football if I want to... Our favorite pastime is trying to take pictures of our hometowns from space.

I love this life. I feel like I am always catching my breath and saying, 'Oh! Will you look at that?' Photography has been my way of bearing witness to the joy I find in seeing the extraordinary in ordinary life. You don't look for pictures. Your pictures are looking for you.

Making books is a very specific kind of activity. It's not really a collection of your best pictures - although it is - but it's also a way of presenting your work so that it's not repetitive, so that it flows, and so that it makes sense in a book.

The timing was terrible, and having one disaster after another didn't help. I think the pictures on television of the way in which the disaster was handled also helped to turn off the public and Congress.

This would be a distortion of their meaning, since the pictures are intimate and intense, and are the opposite of what is decorative; and have been painted in a scale of normal living rather than an institutional scale.

However spontaneous I hope a photograph will look, I always put a lot of thought into how I can make it happen. The very best pictures are the most relaxed, so a lot of fussing around technically can completely break the spell, and everyone freezes up with nerves.

I would put my pictures up against anybody's in this world. Certainly in my own day I bow to no one. I don't think there's another director in the world who works harder to make better films than I do.

If you want to make pictures and enjoy making them, you better go out and make something that a lot of people want to see. And then they'll turn you lose and let you make what you want. And then maybe you can do some of the things that you want to do. But as a beginner, you haven't got a chance.

I was drawn to street photography because there are pictures everywhere there: a woman holding a dog, a baby screaming to be put in a pram, kids playing punch ball, stores with huge barrels of kosher pickles outside. I wanted to photograph life, and here it was.

Of course, we wore silly outfits, the pictures were corny, and some people still focus on that. But ABBA wasn't a big intellectual thing. We were a pop group.

I can't talk about every single film I made. It's not my way to go back into the past and to look at my old pictures and to discuss them.

Also the pictures themselves give a visual to the audience tuning in, that makes them a very important part of law enforcement, or pulling families together.

Being an author is fun. It's a great job, because I can stay up as late as I want, and if I feel like taking the day off, I do it. Plus, I get to make up silly stories and draw pictures all day.

I played music and sang from my earliest memories. The first pictures of me show me wandering around with a guitar that was larger than I was, and it became almost second nature to me.

I will have my publicist pull pictures of the way I look at events so I can see, 'Oh, that cut is not as flattering as I thought,' or 'I should smile bigger,' or 'That positioning is odd.' I learn from it.

Here we have been sitting down for a brief moment and you are already asking me if there are pictures of me in my drawers.

What I find problematic is the suggestion that when, say, Madonna adopts an African child, she is saving Africa. It's not that simple. You have to do more than go there and adopt a child or show us pictures of children with flies in their eyes. That simplifies Africa.

We didn't know about the rest of the world. We just knew the pictures that we saw on TV, and it was so different that we wanted to try to imitate that, to a certain extent.

That type of autograph, pictures and apparel thievery was not part of what I grew up with. I loved the artists and their music. I would be thrilled to meet them, but the thought of getting a scribble or stealing an article of clothing never occurred or appealed to me.

'Halo' I wrote with my grandpa in his nursing home. When I went to visit him, he'd often comment on my halo. But of course, I couldn't see. And he always - he had pictures of Jesus with these beautiful halos. And so I asked him if he'd write a song with me about Jesus' halo.

What ends up in your scrapbook? The pictures where you look like a good guy and a good family man, and the children look adorable - and they're screaming the next minute. I've never seen a family album of screaming people.

Well, it takes a certain amount of money. And I've got to see pictures of the person ahead of time. If I don't like the way the person looks I won't do it.

I just spend my life studying the manufacture of sound and picture and my education, if you like, has come from what I've chosen to make sounds and pictures on.

I first started writing historical fiction in the late '70s and kept pictures of Kathleen Woodiwiss and Rosemary Rogers on my refrigerator until my first book was published by Avon in 1982. The biggest advantage of this genre for me is that it allows me to blend fact and fiction.

My mum always liked poetry, and she had pictures on the wall, so there was this visual stuff around.

I like to come into my workspace and feel it's a living environment and not frozen, which is why I often change or add to the pictures on the wall.

I'd like to take more pictures of real celebrities. It would be fabulous to photograph Brad Pitt. He's so good-looking and just such a star.

I show elements of the set in my pictures because it's not real. When I see movies, I often love the 'making of' more than the movie itself. It's not so final. When you have a woman just standing there, it doesn't mean much.

I guess I don't come to the work without baggage. I have an idea of what I want my pictures to look like in my head, and if they don't match up, I find it frustrating.

Photographing friends means that there's a spontaneity to the images. I have a lot of love for my friends and family, and I love taking cool pictures of them.

I always get forwarded these weird pictures of people getting Kenny Powers tattoos. That's probably the craziest thing I've ever seen: Somebody will ink my face on their body for eternity.

People do that on Facebook and it's the dumbest thing in the world. I don't care what your dinner looks like. Stop cluttering up the Internet with pictures of your dinner.

The secret of all effective advertising is not the creation of new and tricky words and pictures, but one of putting familiar words and pictures into new relationships.

My bedroom was plastered with pictures of Van Damme. My mother was worried about me. Most teenage boys have half-naked women on their walls, and I had Jean-Claude.

It's such an awkward, strange thing that was concocted, to have auditions. Back in the old days, you'd just have a screen test, and they'd say, 'Oh, you seem natural in front of the camera,' and you'd just go do 10 pictures for Paramount or whatever.

I'm so lucky because I get to have all of these memories. I can have all of those pictures and different sorts of films and stuff. Some people have only one photo, and I'm really glad that I have all of that.

When I'm writing, I'm creating the story and its character with words. I'm thinking about what the pictures will be like, but I never begin to sketch. The pictures are all in my head.

Pictures have a lot more power than text. Text is just a bunch of little symbols. You have to actually read it and imagine it, and even that can be censored. With pictures, it's a lot more immediate.

The fans are always at the hotel waiting, they like to get pictures and autographs. I enjoy it all, the displays of love and support at the hotel and the shows.

If you live in Israel and you see the way life is there and then you go abroad and see the way Israel is reported on, the way that Israel gets reported on night after night is simply pictures of bombings or military actions.

Tweets? That stuff kills conversation. And people taking pictures with their phone or recording you, sometimes surreptitiously, is creepy. They come up and just start talking to you, and you can see the red light on their phone.

I have always liked to get my pictures taken, and I like taking care of my looks. But, I am not one to use beauty products and treatments.

It's been fascinating watching all those pictures of me with a lot more hair Jeremy, and looking very young. And we've all got things we've said, twenty, thirty years ago, indeed the whole world has changed since then.

I realized that you could formulate theories about human and social phenomena in language and pictures and whatever you wanted on the computer, and you didn't have to go through this straitjacket, adding a lot of numbers.

I've always tried to live in the future and think about things and how to make things better. If you have great-grandchildren around, and their pictures are looking at you, well, that's the future.

How many years and how many pictures does it take to win the confidence of Paramount? How many years before my fellow workers say, 'I know he is doing his best?'