Shoot Quotations

All you can do is really the prep work and make sure you're ready to hit each golf shot. Outside of that, you're not sure really what's going to happen. It's a funny game, but I think that's why I love it. You never know, one day to the next; you could go shoot 62, and the next day you're going to shoot 78, and you can't predict it.

I can shoot a three pointer in basketball, and I can kick a soccer ball.

When you're in a fighter jet and there's a dark layer of clouds with just one blue hole with the sun going through it, you shoot for that hole. You go vertical into the light, and suddenly, instead of gray and dark, it's light and blue. You are totally connected with the elements. You are in another world.

My mother's from Thailand, and they're very strict about girls in bikinis, but I would love to do a shoot in the floating market in Thailand.

My character in 'Fresh Meat' is quite prim and tidy, and then I basically had no make-up for the whole shoot of 'Kidnap and Ransom' - apart from a bit of Vaseline to make me look even sweatier!

There's nothing I dislike more than being in a photo shoot where they say, 'Be yourself.' That's not why I became an actress. That's what I find so funny: that you become an actor, and all of a sudden, everyone wants to know about you. But I didn't become an actor so I could show you me.

Everybody hates to edit my film. Back in the day, we called it film - now, my digital cards. But I shoot an awful lot of pictures. I don't want to hesitate, because I believe the moment is everything in a picture. So, I take the pictures.

Extraneous violence is totally wrong. 'Robocop' was violence for violence's sake - you don't shoot somebody's arm off.

Why would you want to go all the way to Africa and shoot a giraffe? I don't think you can eat him. I only shoot stuff I can eat.

Golf is a game in which you yell 'fore,' shoot six, and write down five.

'True Blood' is shot on film. It's more like a movie, and they take more days to shoot it, plus it has an hour of content. 'The Good Wife' is network. They're shooting on HD. It moves quicker and they only have forty minutes of content instead of a full hour. Not to mention the difference of shooting, you know, rated-R stuff!

The scene we shot with Charlie Rose was actually the last piece that was ever shot for 'Breaking Bad.' My daughter and I flew to New York; we got to shoot in the 'Charlie Rose' studio. Adam Godley and Jessica Hecht are such expert performers that we were able to get it very beautifully and very quickly.

Mini-series are my favorite medium to act in because it's the right amount of pages you shoot a day, it's the right amount of time that you're with a character, and they really advertise it a lot so that people get excited for this epic event.

Going into a shoot not fully knowing what I want to do - that excitement, that thing that happens, is just so powerful and makes such great pictures.

I never think about a shoot before I do it. Because there's no formula for people. What I try to do is to strip everything away rather than go in with preconceived notions. If I do that, I might miss a gem or a jewel that the person is offering me.

The whole series is black-and-white, so when I went to shoot one of the women I only had black-and-white film with me. She had reddish hair and was a very pretty girl, a nice girl.

When I made 'Eight Below,' they wanted me to shoot digital, and I didn't want to do it because that's just what I need, to get a great series of takes and then find out the camera was frozen.

You see a lot of European influence coming in with bigger guys having a larger skill set, shoot the ball, handle the ball, pass the ball. I'm hoping that'll develop into something I can do.

I love to play games. Anything that is competitive. I love to play darts, shoot pool, any video game or board game, anything like that I am all about. For me is more about spending time with somebody, hanging out and enjoying yourself.

If we get to shoot the third one, which I'm really hoping we do, the third one's great. There's a big uprising and rebellion, and my character Gale's a big part of that. If we get to shoot that, I'll be very, very pleased.

Focus on eating real, whole, natural foods. As I love to say, if you can pick it, pluck it, milk it, or shoot it, you can eat it!

Our wild boar shoot at our home in Germany is always a riot because we invite lots of friends. We spend the day out in the woods, but then we get all dressed up in long gowns to dance around in the evenings.

In my real life I live in the countryside, I walk a lot, I shoot clay pigeons, I don't get involved in the film business or anything, and then in my cinematic life, I think I am drawn to the dark side.

Common sense should tell us that there is no reason for civilians to have access to easily concealable handguns with the capability to shoot through body armor.

I can't say too much about it because I don't know a lot. We're not told what's in store for our characters until we turn up to shoot the episode. But it's fair to say that Betty and her son bring a brand new mystery to the street and they will be around all season.

Who doesn't want to shoot for 'Vogue?' I remember updating my Facebook status to say 'Doing 'Vogue' today', it was so exciting. I thought it would be really intimidating, and I don't like photoshoots, but that was the most relaxed one I've done.

I became passionate about nature filmmaking when I graduated from UCLA, and one of the things I always wanted to do was shoot really high quality film, so I got into time-lapse photography - so that means when you shoot a flower, you're shooting, like, one frame every twenty minutes, so that's basically two seconds of a film per day.

The worst thing you can do as a comedy director is be on set and think of something ridiculous, or an actor comes up to you with something ridiculous, and you say 'No, no that's too much.' Let's not worry if that's too much, let's shoot it, and then decide if that's too much when we see it.

Studios are so used to digital now, and there is a mythology that it's cheaper. But it's really not cheaper. For instance, digital is great for night exteriors; everybody knows it's a video tap, so it's very responsive to light. So you can go out at night, shoot with digital, and it's gorgeous, beautiful to look at.

Film and theater are about misdirection and making the audience see something. I find it interesting. One of the things we do in 'True Blood' is shoot all of our stunts in camera. Instead of doing some kind of visual effect, we try to make it happen.

It's the whole big picture that we have to look at to create an organization that wins over the long term. And to just shoot from the hip on a decision based on winning over a 10-game period. No, that doesn't make sense.

I can tell you, if you shoot in the rain you're going to have a lot of voice ADR to do after the movie and voice looping, stuff like that.

When I started in the mid-'90s, the goal was really to shoot for a film career and stay there.

When kids tried to pick on me, I always had one line to shoot them down with: 'I make more money in a week than you'll make in your entire life.' Which probably wasn't true, but they thought it was.

The stag tells him that he is the eldest of the sons - the father's favorite - and he warns the father that if he tries to shoot any of the stags, their antlers will tear him to pieces.

I've worked with Filipino technicians, and they are, I think, among the best. I'm looking forward to visiting the Philippines, maybe for a vacation or to shoot a movie.

Humility, that low, sweet root, From which all heavenly virtues shoot

I never have broken up in comedy, ever. There's something about me that I just don't break on camera - maybe because I'm just so cheap, and I know how expensive it is to shoot - but I broke on 'Sordid Lives,' and I broke on 'The Office.' Those are the only two times in my life.

From the beginning, we were prepared, we know how we would shoot and cut the two versions.

Drew Barrymore's Guess shoot took place as she was making the transition to serious actress after having been more known as a child actress who had become overwhelmed by the Hollywood lifestyle.

I shoot a lot of film - that's one of the things I try to do, and it's one of the things I learned how to do with Robert De Niro on 'Men of Honor.'

My dad never really played basketball, but now he's my biggest critic. I come home, and he says: 'Why didn't you shoot there? Why didn't you drive?'

Argentina and Burma. I have been to most of the countries in the world, but not those two. I want to shoot doves in Argentina. Burma, of course, because no one has really been there.

I've seen an increasing willingness to hire Canadians for lead roles that shoot up here. When I started, they would always just fly in L.A. people to do the lead roles.

'The Watch' is first and foremost a comedy, but since I got to shoot the film using elements from the sci-fi genre, I wanted to make sure the alien didn't look goofy. I got to make a real alien that looks dangerous. That was a big plus for me because I got to do something really fun and cool.

Unless you burst into movies as a sex goddess, you're likely to play wives and mothers. I came into movies as a teenager in 'They Shoot Horses, Don't They' (1969) playing a pregnant waif from the Ozarks. I didn't get a chance to burst into movies in 'Body Heat.' My career isn't based on having a 23-inch waist and a big bust, though I do.

I'm so proud of this show and I'm really stoked that fans were so enthusiastic about the show so quickly. I mean, I got recognized for 'Arrow' at the airport when I was headed to Vancouver to shoot the second episode. That was kind of crazy.

This one, even though it called for San Francisco, I think they wanted to initially shoot part of the film up here, you know get the exteriors and then go back to L.A. We really fought to get it up here and I think Paramount was really pleased.

What was really wonderful about the 'Doubtfire' shoot is that we had this really long rehearsal period in the beginning. That was a great time to get to know each other. We got to know each other and to create the family vibe. So we really didn't have to force it.

You can't shoot in sepia, so converting into black and white and then into brown makes everything feel less real.

A 'Friends' shoot night could extend well into the small hours of the morning.

My mom was a model, so she's been really good about giving me tips on how to navigate behind the scenes - like the importance of being nice to everyone on set and remembering people's names, to how to be a positive part of the photo shoot and stuff like that.

I was fooled a bit during 'Laguna Beach.' I was 17, 18 years old, and I thought they just wanted to shoot a documentary, and that it probably wouldn't end up anywhere, anyway. Little did we know about the power of editing. I had no idea that it was going to be the soap drama that it was, but I picked up on that pretty quickly.

I know my audience, and they, in turn, know my cinema. When I pick a subject, it's for a family audience. I shoot and edit my films keeping them in mind. I'm dead sure about the product that bears my name.

When I was running Atari, violence against humanoid figures was not allowed. We'd let you shoot at a tank... but we drew the line at shooting at people, with blood splattering everywhere.

I can't shoot myself in the foot before I get in the chorus line.

I am an avid hunter and marksman, and I will not hesitate to shoot anyone who has myself or family in fear for our lives.

I've always wanted to shoot a good percentage for my team, because I'm the point guard, and I can take fewer shots, still score more, so that I can get my teammates feeling good about themselves. That was always my feeling - that if I shoot a high percentage, I don't have to shoot a ton.

I think I can always shoot 3s. I think I can shoot 3s when I'm 60.

If you go into a bank or a shop and you want them to believe that you're going to shoot them, that's an acting exercise. If you want to turn to someone else who's as tooled up as you are and persuade them to put their knife down because you'll use your knife, that's an acting exercise. Nine out of 10 delinquents are frustrated actors.

If someone were to come from another planet and see the world through movies, they'd think that the world was populated by white men in their 30s who shoot a lot.

You don't want to keep giving yourself a sugar spike and then crash and get exhausted and need coffee because you shoot for a long time. On set, I eat a lot of peanut butter and apples, things that have actual energy and protein in them to keep me going.

It really is no different in the way that we make records and shoot music videos. I don't think of the movie as being a great leap out of my current profession.

I don't believe you need high capacity magazines to go hunt. If you have to use 100 rounds to shoot a deer, you're in trouble.

We talked a lot about The Best Intentions and how we could shoot certain scenes in different ways with slightly different bits of dialogue and information, so that later on, we could cut the piece more easily and it would still feel complete, even though it was shorter.

Shoot for a total of no more than 80 grams of carbs in your daily diet. This means favoring vegetables that grow above ground like kale, broccoli, spinach, and cauliflower as opposed to those that store carbohydrate in the form of starch like potatoes and beets.

Cameron Crowe can write dialogue and shoot it with warmth and humor like nobody else.

I shoot the same rifle I've shot since I killed my first deer with it when I was nine.

I don't shoot movies quickly because I get a lot of coverage and a lot of angles, so we have all the pieces in the editing. I do a lot of takes, but it's because I'm looking for something.

I typically shoot underwater with my regular camera in an underwater housing, and then I usually have two big strobes that I use to light. But with whales, you're not going to be able to really light a 45-foot subject. Your strobes are only effective for maybe five or six feet underwater.

I didn't take theater or anything. We didn't have a very good theater program. It was in western Utah - was a really small school. It wasn't developed. We didn't have the funds to do anything like that, but I did act all through high school in films because Disney Channel would shoot movies out there.

You know, differentiating between training and matches. If they are all matches it becomes very natural to shoot them, although Dan thinks I should shoot more of them. I think I shoot plenty of them.

I get people being frightened of me. One time I did this photo shoot where I had hairy armpits - I was really digging it, but they were like, 'We'll airbrush that out.'

The intention was to shoot short films that can exist as shorts independently, but when I put them all together, there are things that echo through them like the dialogue repeats; the situation is always the same, the way they're shot is very simple and the same.

I got invited to the Playboy Mansion with the Lonely Island guys after their first season on 'SNL,' and I sat in the corner drinking coffee and talking to Akiva Schaffer about what aspect ratio he was going to shoot 'Hot Rod' in. Like, that's what we talk about.

Randy Wittman told me not to shoot 3-pointers. That got me very uncomfortable. There were certain labels tagged on me very early in my career, spots on the floor where I felt uncomfortable.

For whatever reason, from a young age I've always been able to shoot images and cut them together with sound in a way that was very engaging.

I don't think 'Call Of Duty: Black Ops' sells 25 million plus copies and makes of a billion dollars because of their great storytelling. It's the multiplayer aspect of that type of game, where people get together to shoot each other and have fun. And it's very much gameplay; it's like 'Gran Turismo' or one of these racing games.

I went over to shoot for six days. It turned out to be ten days, very nicely so. A little money.

My mom is real passionate and a family-first woman. She always told me that just because I can shoot a basketball better than someone else, I shouldn't think that I'm better than them. I know if I change, my friends and family would lay me down. She just wants to see her kids do right.

Everybody remembers 'Just Shoot Me,' and I'm very proud of that. It's still on TV, and people still catch it and laugh about it, and I personally have wonderful, wonderful memories working with those people.

We didn't shoot in 3-D. They've talked about doing a conversion and there's been a lot of talk about us doing 'Sucker Punch' in 3-D, but I'm still waiting to see.

My thought has always been completion. Maybe you have to rebound better, shoot better, hit free throws, handle the ball, defend better. You have to do all those things in the course of a game.

With high-speed cameras, we can do the opposite of time lapse. We can shoot images that are thousands of times faster than our vision. And we can see how nature's ingenious devices work, and perhaps we can even imitate them.

There was so long from when we did the pilot and then when the show was eventually picked up by Comedy Central - and, in fact, we had to shoot the pilot twice.

I discovered that, in order to write a magnificent piece, you should shoot the images because once you are filming, you are writing the script in your mind.

When we shoot 'Scrubs' I spend every waking hour of my life in an abandoned and haunted hospital. All I can date there are ghosts and they tend to be horrible snugglers.

Russell James asked me to shoot underwater. He tied my feet under the water. I don't know how many feet - maybe five, six meters. He tied me underwater and I had no air. Somebody had a tube, and they were giving me some oxygen, but I couldn't really see anything. Everything was blurry. I'm waiting for the oxygen - that was the craziest thing.

I'm kind of a tech geek. With the camera work, I chose to shoot super 16, which has a real tactile feel. I feel it's as authentic as possible; I love the way the grain feels.

I love unsalted almonds, especially if I'm about to do a photo shoot or compete. There's no mess, and they're so easy to pack in a little Ziploc bag to take with you. It's my number one go-to snack!

I always shoot my movies with score as certainly part of the dialogue. Music is dialogue. People don't think about it that way, but music is actually dialogue. And sometimes music is the final, finished, additional dialogue. Music can be one of the final characters in the film.

What I look for these days is that I don't have long speeches, the characters gets to sit down a lot, I don't have to learn any foreign languages, and it doesn't shoot in Minneapolis in February. That's mainly what I look for.

My game is based on improvisation. Often, a forward does not have the time to think too much. You have a second, rarely more, to decide whether to dribble, shoot or pass to the right or left. It is instinct that gives the orders.

We're about to shoot an episode on Air Force One, for instance, and we're going to take liberties, small liberties, with Air Force One, as we take small liberties with our White House set.

As for action movies, I did Tarzan, and I'm also about to shoot Meltdown, which John Carpenter wrote.

I think when you watch the dailies, the film that you shoot every day, you're very excited by it and very optimistic about how it's going to work.

I've been lucky. The projects I've gotten to work on are projects I'd want to watch myself. That's what I try to shoot for.

A true intellectual is a man who, after reading a book and being convinced by its arguments, will shoot someone or, more likely, order someone shot.

In any game, you have an enemy coming at yourself that you have to shoot. If you go back to 'Space Invaders,' they shoot at you when they come at you, so how are you going to protect yourself? You're going to shoot, and that is a typical videogame.

After making a movie, maybe you weren't able to shoot many of your ideas, because a movie is only 1 1/2 or two hours long, but TV gives you space to film a lot of things.