Alan Lightman
Alan Lightman
Alan Paige Lightmanis an American physicist, writer, and social entrepreneur. He is a professor of the practice of the humanities at the Massachusetts Institute of Technology and the author of the international bestseller Einstein's Dreams. Einstein's Dreams has been adapted into dozens of independent theatrical productions and is one of the most widely used "common books" on college campuses. Lightman was the first professor at MIT to receive a joint appointment in the sciences and the humanities. He is also...
NationalityAmerican
ProfessionTeacher
Date of Birth28 November 1948
CountryUnited States of America
I think all tragedies are best told with some humor. You have to relieve the darkness to let the reader get through it. Also, that life has happiness and sadness mixed together. If you told a story that was all darkness, it wouldn't be real.
Sadness is no more than a bit of acid transfixed in the cerebellum.
Thoughts are no more than electrical surges in the brain. Sexual arousal is no more than a flow of chemicals to certain nerve endings. Sadness is no more than a bit of acid transfixed in the cerebellum. In short, the body is a machine, subject to the same laws of electricity and mechanics as an electron or clock.
Some say it is best not to go near the center of time. Life is a vessel of sadness, but is noble to live life and without time there is no life. Others disagree. They would rather have an eternity of contentment, even if that eternity were fixed and frozen, like a butterfly mounted in a case.
I think it is always a long shot getting a book made into a film. Making that book into a film is going to be quite a challenge.
The world is moving faster and faster, but where are we going?I think one of the reasons why things are getting blurry is because there is not much meaning.
I re-read a lot of books that I like a lot. There are some books that I try to reread every couple of years. A good book changes for you every few years because you are in a different place in your own life.
You say, "Something important really happened here. I really had hold of something I was visited by the muse." And that's enough to make you continue the months and years to finish the whole book.
When I used to play golf. It's a terrible miserable game. It's incredibly frustrating. In 18 holes you make 150 horrible shots off in the woods, in the water...You make one good shot and it brings you back the next time. With writing a long book there has to be at least one bit that has some magic in it that you can go back to.
I think what gets you through a small writing project, is just one burst of inspiration. A book, especially a longer book, it's a different kind of force that pushes you through it. It's a vision of the whole thing.
The Diagnosis had ten drafts of very significant changing, where I went through the whole book, wholesale and changed everything. Then the last year or so it was making small changes. I would do something and let it sit for three months... just brood about and decide I needed to slightly change something here or there. Or one character wasn't quite right. But I think everybody goes through this.
That's the fine balance of a fiction writer...to be able to give your characters enough freedom to surprise you and yet still maintain some kind of artistic control.
The Diagnosis is by far my most ambitious book. I such great hopes for it... there was so much I wanted to do with the book. I was extremely insecure about it for several years. Just didn't know whether I would finish the book much less for it to come close to what I intended. I think that for any novel you never know exactly how the book is going to turn out...
I wouldn't overall say that The Diagnosis it's a funny book. I would say that it has comic moments. It's a modern tragedy.