Andy Garcia

Andy Garcia
Andrés Arturo García Menéndez, professionally known as Andy García, is a Cuban American actor and director. He became known in the late 1980s and 1990s, having appeared in several successful Hollywood films, including The Godfather Part III, The Untouchables, Internal Affairs and When a Man Loves a Woman. More recently, he has starred in Ocean's Eleven and its sequels, Ocean's Twelve and Ocean's Thirteen, and The Lost City...
NationalityAmerican
ProfessionMovie Actor
Date of Birth12 April 1956
CityHavana, Cuba
CountryUnited States of America
I've had my moments of insanity. But there is a certain responsibility to set proper examples for your children, and that influences your choices in every aspect of your life.
I was a big fan of Joe's film, Narc, so when you hear there's a script coming over from Joe Carnahan, you know it's going to be interesting because he has such a fresh voice.
I listen to and I play all kinds of music, and I'm interested in jazz and in bluegrass - I like it all - but Cuban music speaks to me in a certain way.
I wish we didn't have to tell this story.
It's important, when going after a goal, to never lose sight of the integrity of the journey.
You have to love the guy that you play, even if you play the villain, you've got to love him.
If you want to experiment, do something temporary.
I still have a leather jacket my brother wore in the '60s. It doesn't fit me, but I figure maybe it'll fit my daughter.
There's good movies and there's bad movies. The genres are never dead, it's just about how to apply them and articulate them and execute them - the story, the quality of the writing, the acting, the design elements, the directorial execution - all these things make it what it is.
When you explore a scene, the most important thing is who to cast.
It's impossible for everybody to be in sync, even the most proper family.
That's why you end up producing or directing. Because if you don't try to make these stories, you can't expect anyone else to come up with that idea and offer it to you. So you assume certain aspirations and goals, in order to tell certain tales. So you become the producer out of necessity, maybe not out of real desires.
So for directors, actors, producers, writers-whoever encompasses the creative elements of a film-you have a hit, everyone's happy, and you're the hottest thing in the world. But if the movie doesn't open, then those realities do come into play.
When I met him, he seemed to me a humble man who spoke through his music, and that's the way he's always been, ... He dedicated his life to his music and his art, which transcends cultures and even age.