Annie Lennox

Annie Lennox
Ann "Annie" Lennox, OBEis a Scottish singer, songwriter, political activist and philanthropist. After achieving moderate success in the late 1970s as part of the new wave band The Tourists, she and fellow musician David A. Stewart went on to achieve major international success in the 1980s as Eurythmics. With a total of eight Brit Awards, including Best British Female Artist six times, Lennox has won more than any other female artist. She has also been named the "Brits Champion of...
NationalityScottish
ProfessionPop Singer
Date of Birth25 December 1954
CityAberdeen, Scotland
I'm shy, yeah.There's a huge industry at the moment of celebrity and it's really evolved over the last 10-15 years and, um, although I'm somebody that's in the public eye from time to time, I don't play that game too much. I don't like it because I find it very superficial - I just like to make my music and I like to sing. I don't really hang out.
It takes a tremendous amount of faith every time I go into the studio. Music comes easy to me -- melody, chord progression, no problem. That's something very simple, and I like to sit down and do that. But to actually literally write something important ...
The music industry has always been a beast, which would eat you up and spit you out.
I only want to make music because I have a passion for it.
I regard music as something that transcends the labels of gender, class or creed, which is why I think it's such a powerful medium. And as a fashion plate? I have to tell you that I've been given many opportunities to collude with the fashion industry, but I declined because I don't want to be a clotheshorse for anyone.
Even in the '80s when people were gay, it was still difficult for them to come out, whereas nowadays, 20 years on, I think, um, we have a far more open-minded society that embraces the notion of homosexuality, and I think there was this doubt about my gender, you know, and at the time it possibly was controversial but... they missed my message, if you see what I mean, because for me it wasn't about a sexual issue, it was more of a feminist thing.
Catch me and let me dive under, for I want to swim in the pools of your eyes.
I identify with other women because of my gender, and I identify with other women if they are mothers because I'm a mother, too. It's very simple. It's nothing complicated, it's not rocket science. It's about empathy. It's about understanding that what happens with one person is potentially what happens to you, and seeing yourself in someone else's shoes. Fundamentally, we are all in the same place: we're born, we live, and we're going to die. In between, we'll have joy and we'll have sadness.
Medicine comes with hope: the hope of having a healthy child, the hope of being able to raise your family.
The contrast of the world that we live in and the world that is here in Aspen and the world inhabited by women who have no resources, little or no, very few resources - huge disparity.
My first understanding of HIV and AIDS was like everybody else from my generation. In the mid-'80s, we heard about this, and it was terrifying, because we knew nothing about how to respond to it appropriately, and we didn't really understand about how the virus is passed. There was a lot of misconception about that.
You have a bigger view, of something bigger than you, and you have to view that and take that in mind. At times you feel like despair rises up over hope, then other times you feel hopeful again.
The music scene in the '70s was like the United Kingdom in the '70s - we had a lot of unemployment, we had inflation, we had a lot of strikes going on, on a national scale, and a lot of discontent. That was reflected in the music.
I wanted to create something that was quite edgy and belonged to me. It wasn't about my sexual orientation, because I'm heterosexual. It was saying that appearance is just temporary, and I want to be as strong as a man.