Charles de Lint
Charles de Lint
Charles de Lintis a Canadian writer of Dutch origins. In 1974 he met MaryAnn Harris, and married her in 1980. They live in Canada...
NationalityCanadian
ProfessionWriter
Date of Birth22 December 1951
CountryCanada
different invisible
When you're invisible, no one can see that you're different.
nice years two
The thing I like so much about short stories is that there isn't as much of an investment of time so I'm free to experiment more. If it doesn't work out, I've only lost a week or two of work. If I screw up a novel I've lost at least a year's worth of work. But the nice thing is that those experiments with short stories can be carried over to novels when the experiments do work.
writing use different
Writing music uses a whole different process that involves a lot of noodling and just seeing what comes.
white differences black
You know how we'd get along better? If everybody'd just remember how we're all related. White, black, Asian, skin. No difference. All the bloodlines go back to that one old mama in Africa.
honesty lying stories
I've always believed the lies we use to make our fictions reveal the truth with far more honesty than any history or herstory or life story.
personality important followers
It's not the work or the personality of the founder of a religion that's important, but what its followers do with what they learn.
book writing long
My theory about writing is that one should write books you'd like to read, but no one else has written yet. So, as long as I stick with that, I'm entertaining myself, and then hopefully my readers as well. I hope to god I realize that I'm repeating myself, if I ever do. But if I don't, I'm sure my readers will let me know.
darkness stranger innocent
I'm not...' Angharad began, but then she thought. Not what? Not a bad person? Perhaps. But had she never known anger? Never held unkind thoughts? The stranger's observation was valid. No one was innocent of darkness.
notebook running writing
I write on a computer, but I've run the complete gambit. When I was very young, I wrote with a ballpoint pen in school notebooks. Then I got pretentious and started writing with a dip pen on parchment (I wrote at least a novel-length poem that way). Moved on to a fountain pen. Then a typewriter, then an electric self-correct. Then someone gave me a word processor and I was amazed at being able to fit ten pages on one of those floppy discs.
way too-much odd
There was too much going on here -- too much that strayed from odd all the way over into seriously weird.
heart broken car
Every time we fix something that broken, whether it's a car engine or a broken heart, that an act of magic. And what makes it magic is that we choose to create or help, just as we can choose to harm.
running dog kids
It seems like I always wrote, I just didn't think of it as a career choice. I just liked to tell stories ... to myself, to pen pals (I had a lot of them, all over the world). Of course this was in the days before computers were everywhere, and anyone could access the Web. You had to make an effort keeping up a correspondence, and the arrival of the mail once a day was a big deal. I think if modern technology had been around when I was a kid, I would never have left my bedroom except to take the dogs out for their run three times a day.
writing play careers
I never even considered writing a career option. I just liked the play of words. I was certainly interested in story, but the stories I was telling then were in narrative verse and prose poems, short and succinct, except for one novel-length poem written in narrative couplets.