Douglas Coupland
Douglas Coupland
Douglas Coupland OC OBCis a Canadian novelist and artist. His fiction is complemented by recognized works in design and visual art arising from his early formal training. His first novel, the 1991 international bestseller Generation X: Tales for an Accelerated Culture, popularized terms such as "McJob" and "Generation X". He has published thirteen novels, two collections of short stories, seven non-fiction books, and a number of dramatic works and screenplays for film and television. A specific feature of Coupland's novels...
NationalityCanadian
ProfessionAuthor
Date of Birth30 December 1961
CountryCanada
For whatever reason, I tend to get reporters who are maybe in the middle of intense therapy, and they turn what's supposed to be a professional interview into therapy for themselves.
It also allows you to look as though you're not particularly from the present, future or past, either.
I'm a pretty good drawer. I have trouble painting because you literally have to wait for the paint to dry. I'm disciplined, but I'm not patient.
I'm always looking for things that are so incredibly present that they become invisible.
Cellphones have, if nothing else, turned TV crime writers into lazy sloths.
Nobody likes being told who or what they are.
I was so beautiful when I was young. And I took so few photos because I felt so skinny and ugly. I wish I'd just taken a few more shots.
I grew up with three brothers, so nearly everything I had was destroyed or made fun of.
I was at Emily Carr College of Art and Design in Vancouver for four years, and I loved it.
I think as a species we're not designed to be able to think more than one year into the future - if that. Even trying to imagine one year from now makes most people feel like they've been given a huge boring chunk of homework that's too hard to do.
My question about luging is, How do you get into the luge community to begin with? Is it one day like, 'Mom, Dad, I really want to luge.' And your parents are like: 'O.K., I'll quit my job. We'll move to an Alpine community.'
I think social and moral disengagement is repugnant.
We really ought to give ourselves a collective pat on the back for doing as well as we have in a universe of constant media change and mutation.
My own experience with being interviewed is mixed. I suppose they're a part of my job, and as I would like readers to connect with my books, I do them. I've also made many lifelong friends whom I first encountered as interviewers - as a writer, they're a terrific way to meet and add smart new people to one's life.