Francesca Lia Block
Francesca Lia Block
Francesca Lia Blockis an American writer of adult and young-adult literature: fiction, short stories, screenplays and poetry. She is known best for the Weetzie Bat series — named after its first installment and her first novel, which she wrote while a UC Berkeley student, Weetzie Bat. She is known for her use of imagery, especially in describing the city of Los Angeles. One New York Times Book Review critic said, "Block writes about the real Los Angeles better than anyone...
NationalityAmerican
ProfessionAuthor
Date of Birth3 December 1962
CountryUnited States of America
I try to see the dark and light in everything. This is my way of comforting myself when I am dealing with those emotions.
That was when I cut my arms with a razor blade as a means of creative expression. I only did it lightly, just grazing the skin, to see the way the blood would bleed out, to make myself look tougher. Not like some of those kids who keep going deeper and deeper, wondering what they look like down to the bone, because it's a world that's so close and yet so far and so dangerous and so much their own. The only world that is their own.
I think depression creates in me an urgent need to write, but I also believe that daily stress, and even the positive stress of intense happiness, can compel me to express myself through the written word.
When they first kiss, there on the beach, they will kneel at the edge of the Pacific and say a prayer of thanks, sending all the stories of love inside them out in a fleet of bottles all across the oceans of the world.
If Los Angeles is a woman reclining billboard model with collagen-puffed lips and silicone-inflated breasts, a woman in a magenta convertible with heart-shaped sunglasses and cotton candy hair; if Los Angeles is this woman, then the San Fernando Valley is her teenybopper sister. The teenybopper sister snaps bug stretchy pink bubbles over her tongue and checks her lipgloss in the rearview mirror, . . . Teeny plays the radio too loud and bites her nails, wondering if the glitter polish will poison her.
If death is your lover, you don't got to be afraid ever that he will ever leave you
Maybe any love we ever have is an angel in whatever form...
All the things that girls feel they are not when they fear that if they become, if they are, they will no longer be loved by the sisters whose hearts they have not meant to break. And besides, if the sisters are gone and only the beloved remains with his dense curls and his lips, how safe are you then? You have to have him or you will die if the sisters are gone with their listening ears and their feet to rub and their bodies to dress and their shared loneliness.
At least the girls in stories were alive before they died.
You asked me who I thought I was before. I said maybe I was a fish because I love water and you said, you thought a mermaid, maybe. If you were a mermaid, you said, if you were a mermaid, I was the sea.
My mother said, "kiss him, darling, it's easy so natural" and I thought to myself, not with lips of stone, dear mother, not with lips of stone
It's important to tell your story. It's important to listen.
I wrote poetry from the time I could write. That was the only way I could begin to express who I was but the poems didn't make sense to my teachers. They didn't rhyme. They were about the wind sounds, the planets' motions, never about who I was or how I felt. I didn't think I felt anything. I was this mind more than a body or a heart. My mind photographing the stars, hearing the wind.
If you want to find the trail, if you want to find yourself, you must explore your dreams alone. You must grow at a slow pace in a dark cocoon of loneliness so you can fly like wind, like wings, when you awaken.