Gore Vidal

Gore Vidal
Gore Vidalwas an American writerand a public intellectual known for his patrician manner, epigrammatic wit, and polished style of writing...
NationalityAmerican
ProfessionPlaywright
Date of Birth3 October 1925
CityWest Point, NY
CountryUnited States of America
corporate dominate encouraged masters plans serving states truth united
We are the United States of Amnesia, which is encouraged by a media that has no desire to tell us the truth about anything, serving their corporate masters who have other plans to dominate us.
desirable dominate environment grows society trait
The individual's desire to dominate his environment is not a desirable trait in a society which every day grows more and more confining.
american-novelist andy genius
Andy Warhol is the only genius I've ever known with an I.Q. of 60.
betrays night wedding
Each youth betrays considerable anxiety about the wedding night ahead.
next sam script worked
During the late '50s, I had worked on the script of Ben-Hur in an office next to that of the producer Sam Zimbalist.
fourteen
Between fourteen and nineteen, I must have begun and abandoned six novels.
debated democratic eager label ran run seriously suspicious whether
Temperamentally, I am suspicious of belonging to anything. When I ran for office, I debated seriously whether or not to run as an independent because I was not eager to be saddled with the Democratic Party, because any party label is committing.
tim tiny
Every generation gets the Tiny Tim it deserves.
country
Every country should have at least one King Farouk.
favorite follow sports
Baseball is the favorite American sport because it's so slow. Any idiot can follow it. And just about any idiot can play it.
Most of our writers tend to be recorders.
government repeated tv
Like the TV networks, once our government has a hit, it will be repeated over and over again.
famous united
I was the most famous kid in the United States. That was 1936.
doctrine essential experience good naturalist worked
It is essential to naturalist doctrine that literature, to be good, must, finally, be the author's experience worked out literally.