Herbert Marcuse
Herbert Marcuse
Herbert Marcusewas a German-American philosopher, sociologist, and political theorist, associated with the Frankfurt School of Critical Theory. Born in Berlin, Marcuse studied at the universities of Berlin and then at Freiburg, where he received his Ph.D. He was a prominent figure in the Frankfurt-based Institute for Social Research – what later became known as the Frankfurt School. He was married to Sophie Wertheim, Inge Neumann, and Erica Sherover. In his written works, he criticized capitalism, modern technology, historical materialism and...
NationalityGerman
ProfessionPhilosopher
Date of Birth18 July 1898
CountryGermany
The truth of literature and art has always been granted as one of a 'higher' order, which should not and indeed did not disturb the order of business. What has changed in the contemporary period is the difference between the two orders and their truths. The absorbent power of society depletes the artistic dimension by assimilating its antagonistic contents. In the realm of culture, the new totalitarianism manifests itself precisely in a harmonizing pluralism where the most contradictory works and truths peacefully coexist in indifference.
To the degree to which they correspond to the given reality, thought and behavior express a false consciousness, responding to and contributing to the preservation of a false order of facts. And this false consciousness has become embodied in the prevailing technical apparatus which in turn reproduces it.
In [Aristotle's] formal logic, thought is organized in a manner very different from that of the Platonic dialogue. In this formal logic, thought is indifferent toward its objects. Whether they are mental or physical, whether they pertain to society or to nature, they become subject to the same general laws of organization, calculation, and conclusion but they do so as fungible signs or symbols, in abstraction from their particular "substance." This general quality (quantitative quality) is the precondition of law and order in logic as well as in society the price of universal control.
the society which projects and undertakes the technological transformation of nature alters the base of domination by gradually replacing personal dependence (of the slave on the master, the serf on the lord of the manor, the lord on the donor of the fief, etc.) with dependence on the "objective order of things" (on economic laws, the market etc.).
[Art] can speak its own language only as long as the images are alive which refuse and refute the established order.
The world of immediate experience the world in which we find ourselves living must be comprehended, transformed, even subverted in order to become that which it really is.