John Cage
John Cage
John Milton Cage Jr.was an American composer, music theorist, writer, and artist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential American composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of...
NationalityAmerican
ProfessionComposer
Date of Birth5 September 1912
CountryUnited States of America
I needed another basis for musical structure. This I found in sound's duration parameter, sound's only parameter which is present even when no sound is intended.
Discord occasions a momentary distress to the ear, which remains unsatisfied, and even uneasy, until it hears something better. I am convinced...that provided the ear be at length made amends, there are few dissonances too strong for it. Disharmony, to paraphrase Bergson's statement about disorder, is simply a harmony to which many are unaccustomed.
My favorite music is the music I haven't yet heard
Try as we may to make a silence, we cannot,
Let no one imagine that in owning a recording he has the music. The very practice of music is a celebration that we own nothing.
If this word "music" is sacred and reserved for eighteenth and nineteenth century instruments, we can substitute a more meaningful term: organization of sound.
A finished work is exactly that, requires resurrection.
Composing for the prepared piano is not a criticism of the instrument. I'm only being practical.
We are living in a period in which many people have changed their mind about what the use of music is or could be for them. Something that doesn't speak or talk like a human being, that doesn't know its definition in the dictionary or its theory in the schools, that expresses itself simply by the fact of its vibrations. People paying attention to vibratory activity, not in reaction to a fixed ideal performance, but each time attentively to how it happens to be this time, not necessarily two times the same. A music that transports the listener to the moment where he is.
Percussion music is revolution. Sound and rhythm have too long been submissive to the restrictions of nineteenth century music. Today we are fighting for their emancipation. Tomorrow, with electronic music in our ears, we will hear freedom. At the present stage of revolution, a healthy lawlessness is warranted. Experiment must necessarily be carried on by hitting anything-tin pans, rice bowls, iron pipes-anything we can lay our hands on. Not only hitting, but rubbing, scraping, making sound in every possible way...What we can't do ourselves will be done by machines which we will invent.
Music is edifying, for from time to time it sets the soul in operation.
Music is a means of rapid transportation.
If you develop an ear for sounds that are musical it is like developing an ego. You begin to refuse sounds that are not musical and that way cut yourself off from a good deal of experience.
With just one musician, you can really do an unlimited number of things on the inside of the piano, if you have at your disposal an exploded keyboard.