Katherine Paterson
Katherine Paterson
Katherine Womeldorf Paterson is a Chinese-born American writer best known for children's novels. For four different books published 1975-1980, she won two Newbery Medals and two National Book Awards. She is one of three people to win the two major international awards; for "lasting contribution to children's literature" she won the biennial Hans Christian Andersen Award for Writing in 1998 and for her career contribution to "children's and young adult literature in the broadest sense" she won the Astrid Lindgren...
NationalityAmerican
ProfessionChildren's Author
Date of Birth31 October 1932
CityHuai'an, China
CountryUnited States of America
All of us use art and literature as an escape from time to time, but if it's any good, it has a healing quality - a quality that enlarges our human spirits.
My heart is heavy, she thought. It’s not just a saying. It is what is—heavy, a great stone lodged in my breast, pressing down my whole being. How can I even stand straight and look out upon the world? I am doubled over into myself and, for all the weight, find only emptiness.
It's like the smarter you are, the more things can scare you.
I think, she began quietly, I think we want... not just bread for our bellies. We want more than only bread. We want food for our hearts, our souls. We want- how to say it? We want, you know- Puccini music.... we want for our beautiful children some beauty. She leaned over and kissed the curl on her finger. We want roses....
He [an earnest young reporter] seemed to share the view of many intelligent, well-educated, well-meaning people that, while adult literature may aim to be art, the object of children's books is to whip the little rascals into shape.
a work that intends to be art must first be entertaining.
The difference between writing a story and simply relating past events is that a story, in order to be acceptable, must have shape and meaning. It is the old idea that art is the bringing of order out of chaos ...
One thing living in Japan did for me was to make me feel that what is left out of a work of art is as important as, if not more important than, what is put in.
I am called to listen to the sound of my own heart -- to write the story within myself that demands to be told at that particular point in my life. And if I do this faithfully, clothing that idea in the flesh of human experience and setting it in a true place, the sound from my heart will resound in the reader's heart.
This is what art is all about. It is weaving fabric from the feathers you have plucked from your own breast. But no one must ever see the process - only the finished bolt of goods. They must never suspect that that crimson thread running through the pattern is blood.
My writing comes from ideas that make a sound in my heart.
If we marvel at the artist who has written a great book, we must marvel more at those people whose lives are works of art and who don't even know it, who wouldn't believe it if they were told. However hard work good writing may be, it is easier than good living.