Ludwig Mies
Ludwig Mies
Born Maria Ludwig Michael Mies and known professionally as Ludwig Mies van der Rohe or simply Mies, this German architect was responsible for such modernist masterpieces as the Barcelona Pavilion and the Czech Republic's Villa Tugendhat.
ProfessionArchitect
Date of Birth27 March 1886
clearly ideas main objective reasons relationship scheme time took understand understood wild
It took me a long time to understand the relationship between ideas and between objective facts. But after I clearly understood this relationship, I didn't fool around with other wild ideas. That is one of the main reasons why I just make my scheme as simple as possible.
age aims architecture cannot chaos clearly conceived confident destined foundation impact powerful remain simple space truth until
Architecture is always the will of the age conceived as space - nothing else. Until this simple truth is clearly recognized, the struggle over the foundation of a new architecture confident in its aims and powerful in its impact cannot be realized; until then, it is destined to remain a chaos of uncoordinated forces.
consider decisive discovered evaluate form life point result shows starting whether
We do not evaluate the result but the starting point of the creative process. Precisely, this shows whether the form was discovered by starting from life, or for its own sake. That is why I consider the creative process so essential. Life for us is the decisive factor.
interested saw sullivan
In 1912, when I was working in The Hague, I first saw a drawing by Louis Sullivan of one of his buildings. It interested me.
chicago forth rarely work
I really don't know the Chicago School. You see, I never walk. I always take taxis back and forth to work. I rarely see the city.
work
Generally, I think my work has so much influence because of its reasonableness.
chance clarity creative discipline education guide lead opinion rational road students true work
Education must lead us from the irresponsible opinion to true responsible judgment. It must lead us from chance and arbitrariness to rational clarity and intellectual order. Therefore, let us guide our students over the road of discipline from materials, through function, to creative work.
actual discovered effect glass light models ordinary
I discovered by working with actual glass models that the important thing is the play of reflections and not the effect of light and shadow, as in ordinary buildings.
hence material trade
Industrialization of the building trade is a question of material. Hence the demand for a new building material is the first prerequisite.
according clearly office organized pattern work
The office building is a building for work, organization, lucidity and economy. Light, spacious working rooms, clearly arranged, undivided, only organized according to the pattern of the firm.
becomes build packaged
I do not think it is an advantage to build planned packaged houses. If you prefabricate a house completely, it becomes an unnecessary restriction.
analyze clear differs epoch forces motives others points respects structure three time understand
We must understand the motives and forces of our time and analyze their structure from three points of view: the material, the functional, and the spiritual. We must make clear in what respects our epoch differs from others and in what respects it is similar.
achievement ages antique circumstance creations earlier entire full roman structures works
It is not architectural achievement that makes the structures of earlier times seem to us so full of significance but the circumstance that antique temples, Roman basilicas, and even the cathedrals of the Middle Ages are not the works of single personalities but creations of entire epochs.