Matt Bomer
Matt Bomer
Matthew Staton "Matt" Bomeris an American actor. He made his television debut with Guiding Light in 2001, and gained recognition with his recurring role in the NBC television series Chuck. He played the lead role of a con-artist in the USA Network series White Collar from 2009 to 2014. Bomer won a Golden Globe Award and received a Primetime Emmy Award nomination for his supporting role as Felix Turner, opposite Mark Ruffalo, in the HBO television film The Normal Heart...
NationalityAmerican
ProfessionTV Actor
Date of Birth11 October 1977
CityWebster Groves, TX
CountryUnited States of America
What is ultimately motivating the character?
I’m a pretty chill person. I’m kind of a homebody and I like to just hang out with friends and have dinner. I’m not, you know - I’m definitely not Neal Caffrey in the sense that I’m not, you know, drinking a $500 bottle of wine at a nightclub. I’m just - I’m pretty chill.
I think Billy Ray has a lot of great stories up his sleeve. I've heard a lot of his plans for the show, should it go forward, and I think there's a lot in store for people, if it's given a chance.
The best experience for me at CMU was being on stage so much, getting that comfort ability and learning that technique you can use with any type of work because you’re comfortable with it and know your skill as an actor.
I like characters with flaws, who have shadow.
For every role, I brought certain elements of the character. Even on White Collar over six years, I tried to keep the set fun and breezy and Howard Hawks-y and very of the tone of the show.
Billy [Ray] is a preternatural enthusiast. He would say things to me like, "Now, let me tell you about Episode 3." I'm a big superstitious, having done television for quite some time, and I would say, "Billy, I can't wait to hear about it, but let's just stay here for right now, see what happens, and enjoy this moment.
To me, when you're at a hotel and your home environment is ultimately dictated by somebody else, I always find that a little bit oppressive and scary in a way.
I lived in several hotels, yeah. You have to try to make it home.
I think your text [script] is everything; it's what informs you; it's what gives you the given circumstances. Then you take that and you add your own creativity and your own spin on things and you make it personal. That's what makes that character and that text unique to you, when you personalize it. I think that's where your job as an actor comes in.
Having done television for almost 20 years now, a pilot is kind of like a rough draft. It's like bringing people into your ultrasound and hooking up to the monitor and going, "Isn't my baby beautiful?" "Yeah. I can only see the outline of it, but it looks like it might be."
Certainly when you're dealing with more deep emotional work and sensory work, for me it helps me to just stay in it.
Forget horror icon, Kety Bates is an icon. She's an acting icon. I was raised on so many of her films, everything from Misery to Fried Green Tomatoes to Delores Claiborne, all films that I've watched multiple times and been inspired by.
One of the many things I love about working with Ryan Murphy is that you're always thin-sliced in this business. You walk into a room and people want you to be how you look or how you're perceived or whatever it is in that 10 minutes that hey meet you. I think Ryan [Murphy] has an intuition that looks a little bit deeper and sees things that other people might not see in you - sometimes you might not even see in yourself - but that he knows are there and that he might want to get to grow and stretch with as an actor.