Michael Frayn Quotations

I feel bad that I don't feel worse.

To be absolutely honest, what I feel really bad about is that I don't feel worse. There's the ineffectual liberal's problem in a nutshell.

We have one set of obligations to the world in general, and we have other sets, never to be reconciled, to our fellow-country men, to our neighbors, to our friends, to our family to our children. We have to go through not two slits at the same time but twenty-two. All we can do is to look afterwards, and see what happened.

Look at your hand. Its structure does not match the structure of assertions, the structure of facts. Your hand is continuous. Assertions and facts are discontinuous.... You lift your index finger half an inch; it passes through a million facts. Look at the way your hand goes on and on, while the clock ticks, and the sun moves a little further across the sky.

I can understand, he said, that many people, many perfectly ordinary people, have an interesting story to tell. No one's experience of life is valueless.

Everything is as it was, I discover when I reach my destination, and everything has changed.

For hundreds of pages the closely-reasoned arguments unroll, axioms and theorems interlock. And what remains with us in the end? A general sense that the world can be expressed in closely-reasoned arguments, in interlocking axioms and theorems.

I've never written a fiction before about real people. . . . I read everything that I could find by people who met them and tried to get some impression of them, but as always when you write fiction, even if you have completely fictitious characters, you start by thinking of what is plausible, what would they say, what would they be likely to do, what would they be likely to think. At some point, if it is every going to come to life, the characters seem to take over and start speaking themselves, and it happened with [COPENHAGEN].

And now everything has changed once again. The air of the Close each evening is full of bird song - I've never really noticed it before. Full of birdsong and summer perfumes, full of strange glimpses and intimations just out of the corner of my eye, of longings and sadness and undefined hopes.It has a name, this sweet disturbance. Its name is Lamorna.

You can create a good impression on yourself by being right . . . but for creating a good impression on others there's nothing to beat being totally and catastrophically wrong.