Michael Hirst
Michael Hirst
based historical initially prefer scenes unlikely
Everything in 'The Tudors' is initially based on my historical research, and the fact is that the most unlikely scenes were the ones which were probably most based on reality. I prefer to be as real as possible, and there is so much of that story that you just can't make up.
flies historical obsession questioned slightly
The American obsession with 'Downton' amuses me slightly because it's such a fiction. I've always been questioned about my historical veracity, and 'Downton' just flies past, when it's completely made up.
happened historical periods
Nobody knows what really happened in any historical period. There are some periods where we know more than others, though.
historical liberating material rooted sort using
I've found that using historical material and being rooted in historical material is liberating because I always think to myself, 'Well, this actually happened, and this is fantastic!' That's why I don't like fantasy, in a way. Because it's sort of in emptiness.
bit characters goes hemingway historical honestly human knowledge material writers
The key for me with historical characters is they're interesting because they're human beings. A little bit of Hemingway goes a long way here, but journalists and writers should honestly look at their material and have a real interest, a real passion in what they want to write, and they should also have a lot of knowledge as well.
certainly later occasional people recordings traded written
The Vikings certainly didn't write anything about themselves; it was not a literate, but rather a pagan, culture. So what we get was written later by Christian monks. But there were occasional reportings and recordings of people who had traded usually with the Vikings.
cliche piece
'Downton Abbey' is just one cliche after another, and it is a really, really poor piece of drama. But that's only me talking. That's just my take on it.
asked aspect changes consuming difficult god however music outlook respect responsibility treated tv
When you're making a TV drama, the showrunner is God, and so however onerous and difficult and consuming that responsibility is, you're being treated with respect, so it changes your whole outlook to the production. You're being asked about costumes, set design, music, every aspect of the show.
america appeal asked interest knowledge setting
I wasn't setting out to write a documentary; if I had, I would have done it in a completely different way. I was asked to write a drama that would appeal to a big audience in America that had no knowledge or interest in The Tudors at all.
amount huge stories strip stuff trying
With 'The Tudors,' I had a huge amount of material, I mean so many books and so much stuff about what they really said. So, in a way it was kind of trying to strip it out and find the stories inside all this material.
excited history hostile interested loved monks realize written
I got interested in the Vikings, and then you realize that there isn't much to be read about them because they did not write their history. It was written by hostile witnesses, by Christian monks and so on. From what I could see and understand, I was really excited about it. I loved their culture and loved their gods.
absolutely based dumber instinct recoil script tv
My instinct is to absolutely recoil when talking about writing in a mechanistic way. Nothing could be dumber than writing a film or TV script based on prescriptions, on other peoples' ideas of what character should be.
course debated elizabeth henry properly time title whether written
Of course I had written a film about Elizabeth I, and I loved the Tudor period, and I think at the time Working Title and I had debated on whether to do Elizabeth I or Henry VIII. I'd always wanted to do Henry VIII. Like Elizabeth, I'd had this feeling that it had never properly been addressed.
appalling expected somewhere taken tv watching
TV drama - not always, but on the whole - were pretty appalling and very secondary, too. No one expected it to be like watching a movie; that was the point. But I think when you start watching 'Vikings,' it is like watching a movie - you're taken somewhere else.