Michael Tilson Thomas
Michael Tilson Thomas
Michael Tilson Thomasis an American conductor, pianist and composer. He is currently music director of the San Francisco Symphony, and artistic director of the New World Symphony Orchestra...
NationalityAmerican
ProfessionMusician
Date of Birth21 December 1944
CountryUnited States of America
mean musician adventurous
Being an American musician means being adventurous.
alive classical-music ifs
If you're alive, you have all the experience necessary to understand classical music.
music-is composer your-favorite
You can't have Bach, Mozart and Beethoven as your favorite composers. They simply define what music is!
musical bells pushing
It's easier to interest a conservative audience in pushing the musical boundaries than to involve a young audience used to very noisy, assertive music in something like Schubert or Bach because the further back you go, the less bells and whistles there are.
add children expertise given great involving might music pleasant scary seen technical
It's kind of scary sometimes, I've seen this a lot in Asia. Children are given music lessons, very intensively I might add and involving great technical expertise sometimes, but you can tell that they have been told only to play happy pleasant music.
cause inhabit music
If we are able to get inside the music and inhabit it convincingly enough, it will cause everyone to find each other in this new psychological space. And that's most exciting.
art collect music people perhaps pose sorts
But you know in the contemporary art world, you pose a very interesting conundrum. All sorts of people collect very contemporary art, yet when it comes to the music which is analogous to that sort of art, they are not interested, or perhaps even hostile.
compared composers living music orchestras programs
But still as compared to many, many orchestras in the world, I think you find a lot more new music and living composers on our programs than many other places.
copland musical people trying
You know, they were returning to the language of the people and trying to use musical language, particularly as Copland did to create a musical language in which all Americans would feel that they had a stake.