Mikhail Baryshnikov

Mikhail Baryshnikov
Mikhail Nikolayevich Baryshnikov, nicknamed "Misha", is a Latvian-born Russian-American dancer, choreographer, and actor born in the Soviet Union, often cited alongside Vaslav Nijinsky and Rudolf Nureyev as one of the greatest ballet dancers in history. After a promising start in the Kirov Ballet in Leningrad, he defected to Canada in 1974 for more opportunities in western dance. After freelancing with many companies, he joined the New York City Ballet as a principal dancer to learn George Balanchine's style of movement...
NationalityAmerican
ProfessionDancer
Date of Birth27 January 1948
CityRiga, Latvia
CountryUnited States of America
I cannot draw to save my life, and I'm not a big art scholar, but I worked with many designers throughout my career - in theater, in dance, costume designers, set designers, and I have a lot of artist friends and I do photography, and I think it's kind of in my life.
In any art form, in Hollywood or in music, there is a handful of people who really, you know, move the envelope.
I was always interested in photography and other forms of art.
A theater is such a revealing form of art, such a transparent and good actors, they're such powerful individuals. I always kind of dreamt that one day I will open my mouth on stage.
Creative Artists Agency put together a project of extraordinary mediocrity and colossal stupidity. Otherwise, it was great.
People of art should never get married and have children, because it's a selfish experience.
I think art education, especially in this country, which government pretty much ignores, is so important for young people.
Nothing is ever too expensive if it furthers the repertoire and artistic standards of a dance company.
I adored my mother, and I will always have extraordinary memories about her and remember her, and she opened the doors for me to appreciate arts.
I think I got disappointed over the years about New York, about the States. You know, sometimes you go and visit Europe and see good old socialism in its good part! You see public concern about art, and young people's participation and young faces in the audience.
Dance is one of the most revealing art forms.
A country like Belgium, or socialist countries in central Europe spend more money on art education than the United States, which is a really puzzling thought.
Dance is an ephemeral, a fleeting art. To describe this momentum, every movement on stage, in words is virtually impossible.
There comes a moment in a young artist's life when he knows he has to bring something to the stage from within himself. He has to put in something in order to be able to take something.