Pete Seeger
Pete Seeger
Peter "Pete" Seegerwas an American folk singer and social activist. A fixture on nationwide radio in the 1940s, he also had a string of hit records during the early 1950s as a member of the Weavers, most notably their recording of Lead Belly's "Goodnight, Irene", which topped the charts for 13 weeks in 1950. Members of the Weavers were blacklisted during the McCarthy Era. In the 1960s, he re-emerged on the public scene as a prominent singer of protest music...
NationalityAmerican
ProfessionFolk Singer
Date of Birth3 May 1919
CityNew York City, NY
CountryUnited States of America
My mother was a very good violinist; my father was a musicologist and spent most of his life in academia.
I was about 16 years old years when my father took me to a square dance festival in North Carolina. For the first time in my life, I found there was music in my country that you never heard on the radio, and you didn't hear on the juke boxes, and in theaters. I fell in love with it, especially the long-necked banjos.
I still prefer to hear [Bob] Dylan acoustic, some of his electric songs are absolutely great. Electric music is the vernacular of the second half of the twentieth century, to use my father's old term.
I was 16 when I came to New York. I had graduated to a tenor banjo in the school jazz band, and it was kind of boring - just chords, chords, chords. Then my father took me to a mountain music and dance festival in Asheville, North Carolina, and there I saw relatively uneducated people playing great music by ear.
My mother playing the violin and my father and grandfather playing the piano, classical stuff.
Alan Lomax is the person who I think should be given major credit for what has been called the "Folk Song Revival." My father participated with him because my father was a musicologist and urged trained musicians to learn about "the vernacular."
My father urged Alan [Lomax] not to repeat the mistakes of the European folklorists who, a century ago, had collected these peasant songs and then arranged them for part choir and accompanied them on piano, and then told the young people of their country, "Don't change a note, this is our sacred heritage." Father said, whether it's a fiddle tune or a gospel song, learn it right off the record from the people who grew up with it. Don't just learn it from a piece of paper.
I came from an intellectual family. Most were doctors, preachers, teachers, businessmen. My grandfather was a small businessman. His father was an abolitionist doctor, and his father was an immigrant from Germany.
Alan [Lomax] and his father started off changing the definition of folk music from something ancient and anonymous to something very contemporary.
My father, Charles Seeger, got me into the Communist movement. He backed out around '38. I drifted out in the 50's.
Songs wont save the planet, but neither will books or speeches. Songs are sneaky things; they can slip across borders.
Malvina was one of the great people of the 20th century,
When you're facing an opponent over a broad front, you don't aim for the opponent's strong points, important though they may be. Pick a little outpost that you can capture and win. And then you find another place that you can capture and win it, and then you move slowly toward the big places.
It was not going to be a graceful symbol of the past. It was going to try to restore the river.