Stacy Schiff

Stacy Schiff
Stacy Madeleine Schiff is a Pulitzer Prize-winning American nonfiction author and guest columnist for The New York Times...
NationalityAmerican
ProfessionAuthor
Date of Birth26 October 1961
CountryUnited States of America
cleopatra coming inclined judged problem rather stubborn view
Certainly, I am writing as a 21st-century woman, so I am much more inclined to view her as a three-dimensional woman. I think we keep coming up with this stubborn problem of a woman being judged by her appearance rather than her accomplishments. We are much more inclined to ask: was Cleopatra beautiful?
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Cleopatra had one great advantage. She lived at a time when female sovereigns were not anomalies. And when women enjoyed rights they would not again enjoy for another 2,000 years. You could call them early feminists, if I may use a dirty word.
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I wouldn't dare to speculate as to Cleopatra's falling in love. Her relationships are too convenient for that.
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Recently a study proved that working from a larger, less cluttered computer screen increases concentration. I could have told them that. And yes, I write first drafts with a mechanical pencil and a yellow legal pad. There's good reason for this primitive behavior: I am a crackerjack typist. My hand moves far more quickly than my brain.
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I can't write a line without music - it provides just the right amount of distraction to keep me focused. Clearly, I still miss the noisy roommates.
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For the several thousands of years before they became firefighters and physicians, women were sirens, enchantresses, snares. At times it seems as if female powerlessness is male self-preservation in disguise. And for millennia, this has made for a zero-sum game: A woman's intelligence was a man's deception.
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You have to scuba dive in the Alexandrian harbor if you want to see what remains of the lighthouse of Cleopatra's day, and the water in the Alexandrian harbor is not really something you want to come into contact with.
You ever try to leave New York? I did once. I lasted about a year.
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Women enjoyed rights in Egypt they would not again enjoy for more than 2,000 years. They owned ships, ran vineyards, filed lawsuits, practiced medicine. Their husbands supported them after divorce. Their power was unprecedented.
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When finally I mustered the courage to tell a novelist friend that I was talking to editors about a biography, her reply was, 'Oh, that's okay. That's not a real book.'
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Life-writing calls for any number of dubious gifts: A touch of O.C.D., a lack of imagination, a large desk, neutrality of Swiss proportions, tactlessness, a high tolerance for archival dust. Most of all it calls for an act of displacement. 'To find your subject, you must in some sense lose yourself along the way,' is Richard Holmes's version.
The biographer has two lives: The one she leads, and the one she ultimately understands.
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No biographical subject is ever on hold with the orthodontist. If there's a dry spell, it's your job to curtail or eliminate it.
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In an ideal world, the perfect biographical subject would have been the star of his penmanship class at grade school - and would thereafter write an English that positively sings.