Todd Phillips
Todd Phillips
Todd Phillips, also known as Todd Bunzl, is an American film director, producer, screenwriter and actor. He is best known for writing and directing Bittersweet Motel, Road Trip, Old School, The Hangover Trilogy and Due Date. He also produced the 2012 black comedy film Project X...
NationalityAmerican
ProfessionDirector
Date of Birth20 December 1970
CityNew York City, NY
CountryUnited States of America
bangkok comedies expensive hangover might quite screen seem
Comedies are just never that expensive quite frankly. They really aren't. We aren't doing green screen shooting, so even Hangover II in Bangkok might seem like it's expensive, you're flying over and back, but they're just not that expensive to make when you do it the way we do it which is very focused and I've done it before.
along ball bring easy effort fly giving kids learning maybe rapid score talented teams translate trying
Where teams score on us is when they score easy baskets. (Wheat is) very talented with the ball in his hands, but we're trying to bring him along in his mind. These kids are all we've got and they're going to keep giving effort and heart. Maybe the learning on the fly will translate into some rapid growth.
attitude glenn
There's a punk-rock attitude, clearly, to 'Hated.' There's even a punk-rock attitude to 'The Hangover,' I think. We start the movie with a Glenn Danzig song.
buying full kid ticket whatever
It's heartbreaking when you hear a kid buying a ticket for... I don't know, whatever movie you're up against. And you see them sneaking into your film. It's just heartbreaking. But in the spirit of full disclosure, that is what I did as an 11-year-old sneaking into 'Stripes.'
actress comedy favorite females funniest love star version women
I'd love to do a movie with females in it, and not necessarily the female version of 'The Hangover,' but I'd love to. If I did it it'd star Juliette Lewis, because she's the funniest woman in the world. She's my favorite actress on the planet. If we did a character-based comedy about women, I don't see it out of my range.
decide shoot worst
The worst thing you can do as a comedy director is be on set and think of something ridiculous, or an actor comes up to you with something ridiculous, and you say 'No, no that's too much.' Let's not worry if that's too much, let's shoot it, and then decide if that's too much when we see it.
roof
'The Hangover' was lightening in a bottle. We're aware of that. It went through the roof all over the world.
david living talked
We never even talked about that we were going to be a band. David was the first person I went to see and that was the end of my trip. I got to play with everyone right there in his living room. The immersion was so deep, so fast. Suddenly, I was dogpaddling on mandolin.
bitter love movies people sites tone
There are movie sites that love movies and there are movie sites that are just bitter people that just hate movies. I find Movieline to be in the latter. The tone is bizarrely hateful.
specific
When I'm writing, I'm writing for a particular actor. When a lot of writers are writing, they're writing an idea. So they're not really writing in a specific voice.
comedy feels hard nuance tone
With comedy especially, it feels like such a clear-cut thing to be a writer-director. There is so much nuance and tone in a comedy that it's hard to contextualise it in a script.
believe director figured knew looks loved movies organic paid people start younger
When I was younger I didn't really know what a director did: I knew I loved movies and I figured the actors made it up! And then when you get to 12 years old you start thinking, What does a director do? It was really an organic beginning: this looks like something I want to do, I can't believe people get paid to do it!
foremost interact love scripts studios surprising
I'm first and foremost a company man, surprising as that is. I love Warner Brothers. That's where I have a deal. That's where I've been for years. So I don't really interact too much with other studios and do things with other studios and I don't necessarily read scripts from other studios.
anyone gotta
It's different because you don't have anyone to look up to see how to do things. You gotta make everything new ourselves.