Wentworth Miller
Wentworth Miller
Wentworth Earl Miller III is an American actor, model, screenwriter and producer. He rose to prominence following his role as Michael Scofield in the Fox series Prison Break, for which he received a Golden Globe Award nomination for best actor in a leading role. He made his screenwriting debut with the 2013 thriller film Stoker. He is currently playing a recurring villain in The Flash as Leonard Snart / Captain Cold, and is playing the role as a series regular...
NationalityEnglish
ProfessionTV Actor
Date of Birth2 June 1972
CityChipping Norton, England
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I value the experience I did have behind that desk because to make it in this business, you need the soul of an artist but the pulse of a bureaucrat. If you're waiting tables, waiting for your break, and you're not willing to come home every night after a long shift at the restaurant and stuff your head-shots and resumes into envelopes to send out to agents and managers, you're not going to make it. It's not going to happen for you.
agents artist behind desk experience happen home night pulse restaurant send shift soul stuff value waiting willing
... I value the experience I did have behind that desk because to make it in this business, you need the soul of an artist but the pulse of a bureaucrat. If you're waiting tables, waiting for your break, and you're not willing to come home every night after a long shift at the restaurant and stuff your head-shots and resumes into envelopes to send out to agents and managers, you're not going to make it. It's not going to happen for you.
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Acting was something I needed like air. It wasn't something I could walk away from.
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Prison has a universal fascination. It's a real-life horror story because, given the right set of circumstances, anyone could find themselves behind bars.
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When I've had my periods of unemployment, I'll get these e-mails from my father: 'I've read that the LAPD has a reservist program. Perhaps that's something you'd be interested in taking a look at.'
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They told me at the end of that test that they wanted me to be a part of this project. I walked out and had a moment of clarity where I thought, not many people will ever have this moment.
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I wanted to be involved in TV and film in some capacity, so a compromise, because acting seemed unrealistic, and so risky, was to get into the production side. And it was a really fortunate, smart move looking back on it, because it gave me perspective on another side of the business.
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I made a decision not to work out because I'm lazy and also, the character is not a superhero. I didn't want him to be a buff guy with Jackie Chan moves because the point is he's smarter than your average Joe.
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I think it's a very dangerous game to play when you assume that just because someone's an entertainer, they're automatically a role model. Entertainers are there to entertain. They aren't there to teach your children the lessons that you haven't bothered to teach them at home yourself. They're just doing their own version of entertaining.
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I noticed that I got a better space in the line in Starbucks when I had my tattoo. People associate tattoos with a certain edge. Then I open my mouth, and something completely different comes out.
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There has to be a measure of faith. That's what this business is all about: trusting in something that may never show up, that you have no concrete proof of.
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I acted all the way up until Princeton. It was just one of my favorite extracurricular activities. Then I got to Princeton and had a really conservative vibe. All my friends were planning on law school, med school, or Wall Street, and suddenly acting seem like a really risky proposition.
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I'm one of those actors who's going to have to create a space for themselves. It's very easy to be the young Tom Cruise, because Hollywood knows what to do with you. But if you're someone who's bringing someone slightly left of center to the table, you're not a sure thing.
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I know what it takes to go from the point where someone's looking at a newspaper article, and thinking, 'Oh, this would make a great TV series,' to the point where you're actually on a set and there's a camera aimed at someone.