Rick Riordan Book Quotations

I think kids want the same thing from a book that adults want - a fast-paced story, characters worth caring about, humor, surprises, and mystery. A good book always keeps you asking questions, and makes you keep turning pages so you can find out the answers.

I've been reading Greek mythology since I was a kid. I also taught it when I was a sixth grade teacher, so I knew a lot of mythological monsters already. Sometimes I still use books and Web sites to research, though. Every time I research Greek mythology, I learn something new!

The images from the book you make in your head are always going to be the best images.

'Harry Potter' opened so many doors for young adult literature. It really did convince the publishing industry that writing for children was a viable enterprise. And it also convinced a lot of people that kids will read if we give them books that they care about and love.

The Web or card experience is not at all going to replicate the book experience, nor is the book experience going to replicate the Web.

Then she did something that really surprised me. She blinked back tears and put out her arms. I stepped forward and hugged her. Butterflies started turning my stomach into a mosh pit. "Hey, it's... it's okay." I patted her back. I was aware of everything in the room. I felt like I could read the tiniest print on any book on the shelves. Annabeth's hair smelled like lemon soap. She was shivering.

Most people call it The Book of the Dead,” he told me. “Rich Egyptians were always buried with a copy, so they could have directions through the Duat to the Land of the Dead. It’s like an Idiot’s Guide to the Afterlife.

Doughboy," I said. "What is this scroll?" "A spell lost in time!" he pronounced. "Ancient words of tremendous power!" "Well?" I demanded. "Does it tell how to defeat Set?" "Better! The title reads: The Book of Summoning Fruit Bats!

I think kids will read more good books than we can possibly produce.

I get letters from college kids who have read Percy Jackson when they were younger who tell me, 'I just passed my Classics exam.' The books are accurate enough that they can serve as a gateway to Homer and Virgil.

As in all Abercrombie's books, friends turn out to be enemies, enemies turn out to be friends; the line between good and evil is murky indeed; and nothing goes quite as we expect. With eye-popping plot twists and rollicking good action, Half a King is definitely a full adventure.

I am committed to writing appropriate books for the middle grades. This means no bad language, no gratuitous or explicit violence, and no sexual content beyond what you might find in a PG-rated movie – expressions of who likes whom, holding hands, and perhaps the occasional kiss. The idea that we should treat sexual orientation itself as an adults-only topic, however, is absurd. Non-heterosexual children exist. To pretend they do not, to fail to recognize that they have needs for support and validation like any child, would be bad teaching, bad writing, and bad citizenship.

To all my librarian friends, champions of books, true magicians in the House of Life. Without you, this writer would be lost in the Dust.

I think I write for reluctant readers. Of course I want everyone to enjoy my books, but if the kids in the back row who normally don't pick up a book are engaged with what I'm writing, along with the kids who are big readers anyway, then I really feel like I've done my job.

There!" Mars finished writing and threw the scroll at Octavian. "A prophecy. You can add it to your books, engrave it on the floor, whatever." Octavian read the scroll. "This says, 'Go to Alaska. Find Thanatos and free him. Come back by sundown on June twenty-fourth or die'." "Yes," Mars said. "Is that not clear?" "Well, my lord...usually prophecies are unclear. They're wrapped in riddles. They rhyme, and..." Mars casually popped another grenade off his belt. "Yes?" "The prophecy is clear!" Octavian announced. "A quest!

And of course I'm in the press all the time. So many books have been written about me; Into thin air, up in the air,Gone with the wind-

but I felt as if I’d just been Photoshopped out of my own book cover. And if there was one thing I wasn’t used to, it was being ignored

Cacus.” I’d had years of practice looking dumb when people threw out Greek names I didn’t know. It’s a skill of mine. Annabeth keeps telling me to read a book of Greek myths, but I don’t see the need. It’s easier just to have folks explain stuff.

The most important thing whenever we're connecting kids to books, is that we try to match the book to the kid and make sure that reading is a fun, rewarding experience outside the classroom.

I try to craft books that are fun, that are sort of subversively educational so kids learn but they don't really feel like they're being lectured to, and I want kids to always finish one of my books and think, "That was great, where's the next one?"

I like to remind teachers that even though they're all overwhelmed and overloaded, and it's easy to get burned out, it really is about the kids. It only takes one good teacher to change a life - one time, and one book. That's what happened when I was a kid. I had one good teacher that came in at the right time and turned me into a writer. So never lose sight - you could be that teacher.

Teachers and librarians are some of my favorite people, especially since I was a teacher myself. I love talking to them because they have wonderful ideas about how to share books, and especially about how to share my books with kids.

It's all still about having a good story. You have to have a good story as your anchor, as your main focus. So for me, personally, I just like to concentrate on writing the best book I can, and if there's other stuff that goes along with it, that's awesome, as long as the story is central.

As an author, I don't really think too much about being a celebrity. It's not like being a movie star or a TV star. It's not as if people recognize me when I walk down the street. That hardly ever happens, and it's just as well. But it is great when people know my books, when I walk through an airport and see them in the bookstore, or when I see someone reading a book on a plane or on a train, and it's something I've written. That's a wonderful feeling.

Selling one's book to Hollywood is rather like selling someone your house. After it's sold, it isn't yours anymore. They can paint it a different color, tear it down and build something new, or do anything they want.

All I could think of was that the teachers must've found the illegal stash of candy I'd been selling out of my dorms room. Or maybe they'd realized I got my Essay on Tom Sawyer from the Internet without ever reading the book and now they were going to take away my grade. Or worse, they were going to make me read the book.

Writing 'Book 1: The Maze of Bones' didn't feel much different than writing one of my other novels, but I thought it was very innovative to offer the website and trading card components as well for those readers who wanted to go more in depth with the Cahill experience.

When I was young, my favorite picture book was 'Fletcher and Zenobia,' written by Edward Gorey and illustrated by Victoria Chess. It's long out of print now, but its mix of macabre humor and 1960s psychedelia made it a perfect children's book for the times.

I've never been a collector - just a consumer - and these days unless a book is signed to me by another author, I don't normally have any qualms about passing it to a friend or donating it to the library.

When I write, I'm still imagining a kid reading it on paper. I read e-books when I travel, but in general I still prefer holding an old-fashioned book in my hands. There's a special, tactile experience.

I've always found the second book in a series is the hardest to write.