Robert Pattinson Play Quotations

I wanted to play piano in restaurants in the south of France. I went there on holiday once and I saw this guy playing in an old tuxedo. He was all disheveled, with a whisky glass on the piano. I thought that was the coolest thing. So what's happened to me with 'Twilight' isn't really what I'd planned.

Having a persona people recognize, it's the thing that probably gets you paid the most - but it's also the thing that virtually every actor in the world doesn't want. 'Cause, like, no one would believe me if I wanted to play something ultra-realistic, like a gangster or something.

My little cousin tells me I look like Magneto so I guess that's who I should probably play.

I'm so surprised it's worked out that way. I was just thinking the whole time that I've never had the personality to fit into that. I'm not really afraid of it, because I don't even know how to play up that aspect.

I was quite intimidated by Ralph Fiennes. I didn't really talk to him while I was doing Harry Potter and the Goblet of Fire and the only thing I did with him was when he stepped on my head. Then I went to this play and he was there. And this girl said, “you've worked with Ralph Fiennes haven't you, Robert?” and I was like, “well, no...” and Ralph said, “yes, I stepped on your head.” And that was the extent of our conversation.

Money by Martin Amis. I read it when I was 15, I read it hundreds of times since then and it always makes me laugh. Amis has managed to create a world that is both funny and abrasive. I'd love to play John Self, the depraved hero, who's without illusions, he created.

If you're a fan of it, there's a lot of things that plays into what the fans of the series want. If you've never seen them before, a lot of people who have seen it tell me that it's the most accessible of the three. It's a solid story, by itself, and it's more of a sort of action film. When I was watching Twilight the other day, I realized that you do need to read the book to get it.

You're trying to play an archetype on one hand and a character on the other, so I felt insanely frustrated, right up until the last shot, and then it ended.

They [Barnes Theatre Club] were a very good group, and for some reason when I finished the backstage thing, I just decided to that I should try to act. So I auditioned for Guys and Dolls and got a little tiny part as some Cuban dancer or something and then in the next play I got the lead part, and then I got my agent. So I owe everything to that little club.

It's easy to get stagnate, if you play the same character. In New Moon, I felt like I was going a little bit deeper.