Rod Serling Thinking Quotations

Somewhere between apathy and anarchy lies the thinking human being.

When I first went into freelancing, I think there was a period of about eight months when nothing happened. Everything that I wrote crumbled up, and then it became a self-destructive thing - when you begin to doubt yourself, when doubt turns into - it's sort of like impotence. Once impotent, you're forever impotent. Because you're always worried about being impotent.

It's part of the business of really not caring about topping myself because I really don't care what's going to happen. I think just surviving is a major thing. I'd like to write something that my peers, my colleagues, my fellow writers would find a source of respect.

I think I'd rather win, for example, a Writer's Guild award than almost anything on earth. And the few nominations I've had with the guild, and the few awards I've had, represented to me a far more legitimate concrete achievement than anything.

I don't think it's man's function to write. I don't think it's a normal thing like teeth-brushing and going to the bathroom. It's a supered position on the animal.

I think Willa Cather did a short story called "Paul's Case," and in it, when he finally commits suicide, it says, "He surrendered to the black design of things." And that's what I anticipate death will be: a totally unconscious void in which you float through eternity with no particular consciousness of anything. I think once around is enough. I don't want to start it all over again.

I think I would like to be in Victorian times. Small town. Bandstands. Summer. That kind of thing. Without disease.

I think the essence of the argument has always been, first of all, the Guild doesn't want writing on spec. And that's been a major problem over the years. But obviously, to the young writer that's unfair and it's discriminatory, and it can be very hurtful to one's career.

I suppose we think euphemistically that all writers write because they have something to say that is truthful and honest and pointed and important. And I suppose I subscribe to that, too. But God knows when I look back over thirty years of professional writing, I'm hard-pressed to come up with anything that's important. Some things are literate, some things are interesting, some things are classy, but very damn little is important.

I don't think playing it safe constitutes a retreat, necessarily. In other words, I don't think if, by playing safe he means we are not going to delve into controversy, then if that's what he means he's quite right. I'm not going to delve into controversy. Somebody asked me the other day if this means that I'm going to be a meek conformist, and my answer is no. I'm just acting the role of a tired non-conformist.

It has forever been thus: So long as men write what they think, then all of the other freedoms - all of them - may remain intact. And it is then that writing becomes a weapon of truth, an article of faith, an act of courage.

I choose to think of tv audience as nameless, formless, faceless people who are all like me. And anything that I write, if I like it, they'll like it.

Someplace between apathy and anarchy is the stance of the thinking human being. He does embrace a cause, he does take a position, and can't allow it to become business as usual. Humanity is our business.

We're developing a new citizenry. One that will be very selective about cereals and automobiles, but won't be able to think.