Samuel Johnson Art Quotations

There is nothing, Sir, too little for so little a creature as man. It is by studying little things that we attain the great art of having as little misery and as much happiness as possible.

Dictionaries are like watches, the worst is better than none and the best cannot be expected to go quite true.

No man but a blockhead ever wrote except for money.

Poetry is the art of uniting pleasure with truth.

Read over your compositions, and when you meet a passage which you think is particularly fine, strike it out.

The true art of memory is the art of attention.

The trade of advertising is now so near perfection that it is not easy to propose any improvement. But as every art ought to be exercised in due subordination to the public good, I cannot but propose it as a moral question to these masters of the public ear, whether they do not sometimes play too wantonly with our passions.

Around his tomb let Art and Genius weep / But hear his death, ye blockheads! hear and sleep.

The most heterogeneous ideas are yoked by violence together; nature and art are ransacked for illustrations, comparisons, and allusions; their learning instructs, and their subtlety surprises; but the reader commonly thinks his improvement dearly bought and, though he sometimes admires, is seldom pleased.

I fancy mankind may come, in time, to write all aphoristically, except in narrative; grow weary of preparation, and connection, and illustration, and all those arts by which a big book is made.

Books to judicious compilers, are useful; to particular arts and professions, they are absolutely necessary; to men of real science, they are tools: but more are tools to them.

The authour who imitates his predecessors only by furnishing himself with thoughts and elegances out of the same general magazine of literature, can with little more propriety be reproached as a plagiary, than the architect can be censured as a mean copier of Angelo or Wren, because he digs his marble out of the same quarry, squares his stones by the same art, and unites them in columns of the same orders.

It would add much to human happiness, if an art could be taught of forgetting all of which the remembrance is at once useless and afflictive, that the mind might perform its functions without encumbrance, and the past might no longer encroach upon the present.

All the performances of human art, at which we look with praise or wonder, are instances of the resistless force of perseverance.

Novelty is indeed necessary to preserve eagerness and alacrity; but art and nature have stores inexhaustible by human intellects, and every moment produces something new to him who has quickened his faculties by diligent observation.

But the distant hope of being one day useful or eminent ought not to mislead us too far from that study which is equally requisite to the great and mean, to the celebrated and obscure; the art of moderating the desires, of repressing the appetites; and of conciliating or retaining the favour of mankind.

I am far from any intention to limit curiosity, or confine the labours of learning to arts of immediate and necessary use. It is only from the various essays of experimental industry, and the vague excursions of mind set upon discovery, that any advancement of knowledge can be expected; and though many must be disappointed in their labours, yet they are not to be charged with having spent their time in vain; their example contributed to inspire emulation, and their miscarriage taught others the way to success.

None but those who have learned the art of subjecting their senses as well as reason to hypothetical systems can be persuaded by the most specious rhetorician that the lots of life are equal; yet it cannot be denied that every one has his peculiar pleasures and vexations, that external accidents operate variously upon different minds, and that no man can exactly judge from his own sensations what another would feel in the same circumstances.

Art hath an enemy called ignorance.

The trade of advertising is now so near to perfection that it is not easy to propose any improvement. But as every art ought to be exercized in due subordination to the public good, I cannot but propose it as a moral question to these masters of the public ear, whether they do not sometimes play too wantonly with our passions.

The ambition of superior sensibility and superior eloquence disposes the lovers of arts to receive rapture at one time, and communicate it at another; and each labors first to impose upon himself and then to propagate the imposture.

It is the great privilege of poverty to be happy and yet unenvied, to be healthy with physic, secure without a guard, and to obtain from the bounty of nature what the great and wealthy are compelled to procure by the help of art.

Whisky making is the art of making poison pleasant

An epithet or metaphor drawn from nature ennobles art; an epithet or metaphor drawn from art degrades nature.

Human reason borrowed many arts from the instinct of animals.

Every man, however hopeless his pretensions may appear, has some project by which he hopes to rise to reputation; some art by which he imagines that the attention of the world will be attracted; some quality, good or bad, which discriminates him from the common herd of mortals, and by which others may be persuaded to love, or compelled to fear him.

The chief art of learning, as Locke has observed, is to attempt but little at a time. The widest excursions of the mind are made by short flights frequently repeated; the most lofty fabrics of science are formed by the continued accumulation of single propositions.

A man who exposes himself when he is intoxicated, has not the art of getting drunk.

To have the management of the mind is a great art, and it may be attained in a considerable degree by experience and habitual exercise...Let him take a course of chemistry, or a course of rope-dance, or a course of any thing to which he is inclined at the time. Let him contrive to have as many retreats for his mind as he can, as many things to which it can fly from itself.

I would rather be attacked than unnoticed. For the worst thing you can do to an author is to be silent as to his works.

Quack: A boastful pretender to arts which he does not understand. A vain boastful pretender to physick; An artful, tricking practitioner in physick.

The end of writing is to instruct; the end of poetry is to instruct by pleasing.

Fate wings, with every wish, the afflictive dart, Each gift of nature, and each grace of art.

To go and see one druidical temple is only to see that it is nothing, for there is neither art nor power in it; and seeing one is quite enough.

All to whom want is terrible, upon whatever principle, ought to think themselves obliged to learn the sage maxims of our parsimonious ancestors, and attain the salutary arts of contracting expense; for without economy none can be rich, and with it few can be poor.

Providence has fixed the limits of human enjoyment by immovable boundaries, and has set different gratifications at such a distance from each other, that no art or power can bring them together. This great law it is the business of every rational being to understand, that life may not pass away in an attempt to make contradictions consistent, to combine opposite qualities, and to unite things which the nature of their being must always keep asunder.

The whole power of cunning is privative; to say nothing, and to do nothing , is the utmost of its reach. Yet men, thus narrow by nature and mean by art, are sometimes able to rise by the miscarriages of bravery and the openness of integrity, and, watching failures and snatching opportunities, obtain advantages which belong to higher characters.

Affectation is to be always distinguished from hypocrisy as being the art of counterfeiting those qualities, which we might with innocence and safety, be known to want. Hypocrisy is the necessary burden of villainy; affectation part of the chosen trappings of folly.

Deign on the passing world to turn thine eyes, And pause awhile from letters, to be wise.

The art of the writer, like that of the player, is attained by slow degrees. The power of distinguishing and discriminating comick characters, or of filling tragedy with poetical images, must be the gift of nature, which no instruction nor labour can supply; but the art of dramatick disposition, the contexture of the scenes, the involution of the plot, the expedients of suspension, and the strategems of surprise, are to be learned by practice.

New arts are long in the world before poets describe them; for they borrow everything from their predecessors, and commonly derive very little from nature or from life.

It is justly considered as the greatest excellency of art to imitate nature; but it is necessary to distinguish those parts of nature which are most proper for imitation: greater care is still required in representing life, which is so often discoloured by passion or deformed by wickedness. If the world be promiscuously described, I cannot see of what use it can be to read the account; or why it may not be as safe to turn the eye immediately upon mankind, as upon a mirror which shows all that presents itself without discrimination.