You know when you throw a party, you think people will show up and no one will like each other. It's like that with music - parts of your musical psyche have never met other parts. You wonder if you should get them together.
All records are riddles, and whatever you may want people to think it's about, it may just be throwing them off. And you don't want it to get in the way of what someone else's understanding is. It's not really about anything. At the same time, it will find some meaning.
People get frightened that success is going to take them out of life. They're no longer going to be on the corner of Bedlam and Squalor; life will only be something you can get through the mail.
There's nothing that makes me laugh more than being in the situation where you're not supposed to laugh. Funerals. People crying. Breaking down. Telling you their life. I'm the worst. I'm the worst at that.
If people are a little nervous about approaching you at the market, it's good. I'm not Chuckles The Clown. Or Bozo. I don't cut the ribbon at the opening of markets. I don't stand next to the mayor. Hit your baseball into my yard, and you'll never see it again.
The fact is most of the things that people know about me are made up. My own life is backstage. So what you "know" about me is only what I allowed you to know about me.
There's a certain fast-food approach to the whole music thing that's changed the role it plays for us all. You are doing it while you are doing other things. Not that that is new - people have had music on in the background as long as there has been music.
I'm not one of those people the tabloids chase around.
People make songs so that somebody else will hear them and want to do them. I guess it's an indication that the songs aren't so ultra-personal that they can't possibly be interpreted by anyone else.
Most changes in music, most exciting things that happen in music, occur through a miscommunication between people "I thought you said this." Poetry comes out of that too.
You hope people are going to be listening to you after you're gone. And they like you better after you're gone.
You know, we just buy music now. We don't make it any more. And that goes for just about everything. I think it's so important that people develop and subscribe to and have confidence in their own ability to make music, however rough it is.
Most people don't care if you're telling them the truth or if you're telling them a lie, as long as they're entertained by it.
Most of the people I admire, they usually smell funny and don't get out much. It's true. Most of them are either dead or not feeling well.
Some day I'm gonna be gone and people will be listening to my songs and conjuring me up. In order for that to happen, you gotta put something of yourself in it.
People say all kinds of things about the ingredients of songs. But you know they are a kind of magic, in the sense that they may easily include a stain on your bedroom wall... and a variety of mis-recollections. And then you name it after a girl's name that you just made up.
There's not much difference between what I appear to be on stage and what I am. I think people like that, that I'm not trying to pull a caper.