My family were Russian Jews. They got you to read as soon as you could. And then assumed you would read a lot. People didn't really tell stories but they were good talkers. That's important for a writer, to hear speakers.
I begin by writing paragraphs that don’t have an immediate relation to a plot. The sound of the story comes first.
The wrong word is like a lie jammed inside the story.
There isn't a story written that isn't about blood and money. People and their relationship to each other is the blood, the family. And how they live, the money of it.
As an older person, I do feel an obligation to tell the story about what was really happening in the fifties, sixties, and seventies, as I saw it.
I didn't intend to become a short-story writer. I became one because I finished a couple of short stories and realized that's what I wanted to do and could do with children and with all the other things in my life.
Every time you finish something ... you figure you've finally learned to write, right? Then you start something else and it turns out you haven't. You have learned how to write that story, or that book, but you haven't learned how to write the next one.