I always felt like, okay, I'm going to try to tell stories whatever way I can and it would be cool to make a movie, and tell a story that way.
When I read a story or see something play out in front of me I say, how come nobody's made a movie or a television show out of this? This is something that belongs in the conversation. Certainly that's what interests me about a project.
When I was really young I didn't know that there was such a thing as a screenwriter. I wrote stories.
There were not fifteen people in the story department and twenty-five producers and stuff. And Roger had produced 1,000 movies and directed a couple of hundred, and their comments were always very, very specific.
I think I got spoiled and that writing a short story and getting it published, or writing a novel and getting it published, you pretty much get to do the first, second and third draft yourself without a whole lot of interference.
Not that I've always loved the movie when they finally come out, or if they ever come out-because many of them don't come out-but I've gotten to work with really good story editors and stuff like that.