Came Quotations | Page 11

You learn different things through fiction. Historians are always making a plot about how certain things came to happen. Whereas a novelist looks at tiny little things and builds up a sort of map, like a painting, so that you see the shapes of things.

Our parents came home one day and heard us, and they thought it was the radio, but our grandfather told them it was us.

Ireland and America, music-wise, are very closely related. The Irish came over with their fiddles in hand, and you can hear it in the bluegrass and rockabilly. I love it when music from different countries combine.

I talk about race a lot. It's been my work ever since I came out of acting school. But it's true that in a way talking about race is a taboo. Because so many of our debates about race have to do not with race but with what we are willing to see, what we will not see and what we don't want to see.

I wasn't going to be an actor. I was going to be a lawyer. I came from a family just above working class, just below middle class, a great family of wonderful values. The idea of me having a chance for a law degree was enticing. Enticing to me but also very enticing to my family.

Let me give you a little Mendelsohn 101: I came up in television in the early- to mid- 1980s in Australia.

I was devastated when I got the review for my first book. The book came out a couple years before the women's movement broke through, and people were putting it down, asking, 'Why does the woman in this book need to get a divorce? Why can't she just shut up and be happy?'

We grew up listening to alternative music from the '90s, and there was no shame in being on a major label and still making the music you wanted to make. I feel like rap rock came around and drew a line in the sand, and everybody that was like me ran away from that and started making indie-rock.

My father was my trainer, my teacher. He was closer to my sister in the sense that she adored him and he adored her. He was more like my pal. Because of the 13-year gap, I think by the time I came along, it wasn't a big deal. I wasn't spoilt or cherished, I was just put to work.

If my kid came to me and said 'I'm gay,' I'd say, 'Son, I love you.'

I consider myself lucky that Sonu Nigam, Bikram Ghosh and Taufiq Quereshi came forward to create an original soundtrack to promote my book, something that hasn't been tried here before!

I went to school, but nobody really noticed me. I just came to school, didn't dress up or anything - just a ghost. I just worked out and went out to the field and went the baseball route. That's how I've always been my whole life.

When I was growing up, I despised Irishness. I felt our music, our television and our books were just poor imitations of what came out of Britain and America. I was all set to abandon it entirely.

I grew up listening to the Beatles and being an ardent Beatles fan when I was in third grade all the way to adulthood, and listening to all kinds of music that came to us either at the flea market or in our living rooms or on the 'Ed Sullivan' show - all these places we were influenced by.

I want to convince you that humans are, to some extent, natural born essentialists. What I mean by this is we don't just respond to things as we see them or feel them or hear them. Rather, our response is conditioned on our beliefs, about what they really are, what they came from, what they're made of, what their hidden nature is.

You have to understand, beauty differs from country to country. When I came to India, I found my sense of belonging and appreciation. People thought I was beautiful.

After I impulsively revealed that I have OCD on a talk show, I was devastated. I often do things without thinking. That's my ADD/ADHD talking. Out in public, after I did the show, people came to me and said, 'Me, too.' They were the most comforting words I've ever heard.

By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.

I came from a middle-class family in Mexico, from a household full of women, in a country that is very machista.

I did a 20-minute selection of scenes from the play 'Spring Awakening' in college, well before the musical came around, so when the musical was becoming a hot thing, and I was reading interviews with Duncan Sheik about how he came to do the music, I think it's interesting.

When I first released music, and no one knew what I looked like, I would read comments like: 'I've never heard anything like this before; it's not in a genre.' And then my picture came out six months later: now she's an R&B singer.

My father never wanted me to be a writer. He didn't - he came to terms with it maybe two years before he died. He wanted me to be a weather girl because when I was growing up, there were very few Latinas on television, and in the early '70s when you first started seeing Latinas on TV, they would be the weather girls.

I came out of the old Second City in Chicago. Chicago actors are more hard-nosed. They're tough on themselves and their fellow actors. They're self-demanding.

When I came to New York as a writer, I was taken with the idea that you're only getting in on bridges and ferries and through tunnels. The idea behind 'Takedown' is that it would be very hard to get out.

Oh, my goodness, when we came to the farm in 1961, I mean, it wouldn't even support one salary.

One day I was sitting in my own pain, and suddenly all the pain and troubles of the world came to me. I received all the pain of the world, all through my body.

When I was in Greenough, Montana, I came across a bear cub. I was off this path, and I thought, If there's a bear cub, that means there's a mother bear somewhere nearby. So I doubled back. If I'd kept going, I'm sure they would have eventually found my sneakers, and that's about it.

I can only write a book like 'The Tin Drum' or 'From the Diary of a Snail' at a special period of my life. The books came about because of how I felt and thought at the time.

Before we come to a challenging situation, before the universe squeezes us, how much of our effort is geared toward the reason we came to this world? The more focus we have on the front end, the less focus we end up needing on the back end.

Before this country came on the scene, for thousands of years people did things the same way. Within 200 years of the advent of this nation, men were walking on the moon, and I want us to recognize this is the kind of people that we are. We're creative with a lot of ingenuity and a lot of energy.

When I first came in the business, I had a couple of close calls on planes going to London for shows. There was one time where the plane had to fly around until a storm ended, and then we started having a question about fuel, so we had to go through the storm. It was the worst thing that ever happened in my life. That really messed me up.

My first record came out while I was a senior in high school, which is dangerous.

I might seem biased, but I use Evernote every day. It came to me through my readers, who I'd asked for software recommendations via Twitter and Facebook. For seemingly every function, the answer was 'Man, you have to use Evernote.'

My father was a dark-skinned brother, but my mother was a very fair-skinned lady. From what I understand, she was Creole; we think her people originally came from New Orleans. She looked almost like a white woman, which meant she could pass - as folks used to say back then. Her hair was jet-black. She was slim and very attractive.

The moment to tell my barber I was gay just never came up.

I'll never forget one time a fan came up to me crying, and told me, 'You really inspire me to be me. I feel OK to be myself now.'

Now there is one outstandingly important fact regarding Spaceship Earth, and that is that no instruction book came with it.

Two days before I got the audition for 'Extras,' I was offered a theatre role, and I asked my husband, Terry, whether I should take it or not. He said, 'No, wait and see what else comes in.' Lo and behold, along came 'Extras.' Now that was lucky!

When I was a vocalist, a lead singer in a rock band, I was a law student at the time. It wasn't a professional rock band, it was for fun. I was already way out of that by the time Phantom came along. Having to learn to sing, it was such duress, having to really try and get to such a quality.

Americans don't have deep gastronomic roots. They wanted to get away from the cultures of Europe or wherever they came from. We stirred up that melting pot pretty quickly.

I always wanted to do a comedy, but I wanted to pick the right one. But it came down to working with Steve Carell. I've wanted to work with him since I met him years ago as a kid.

I have always been fascinated by the way things work and how they came to take the form that they did. Writing about these things satisfies my curiosity about the made world while at the same time giving me an opportunity to design a new explanation for the processes that shape it.

Jesus Christ... came into the world to vindicate the infinite worth of God's holiness which had been desecrated by our sin and which seemed... to be taken lightly because it was being passed over for nothing more than the blood of bulls.

'The Fourth Hand' was a novel that came from twenty years of screenwriting concurrently with whatever novel I'm writing.

'Dear Mr. Henshaw' came about because two different boys from different parts of the country asked me to write a book about a boy whose parents were divorced, and so I wrote 'Dear Mr. Henshaw,' and it won the Newbery, and I was - it's been very popular.

I've been asked many times if I considered myself a narcissist, so I looked up the real meaning of the word, and I came to the conclusion that indeed I am one. I think of myself as better than other people, not every person, but many, unique and talented, and I aim to success.

There have been times when I've been broke, and a job came along, and I've said, 'Yeah! Let's do it!' But I will never do something without having a feeling of knowing how to play it. I've been in projects that I felt terrible about afterwards, but I've always had something that sparked me while I was doing it.

It's really hard for me to commit, one way or the other. I was just always creating and seeing what came out.

I love punk rock, The Clash, The Ramones, The Cramps. I love where it all came from, and music for my ears now, it has to have that same electricity, adrenaline and danger.

I came out of the mall one day, and a guy was standing there with a coat hanger in his window, and I couldn't stop myself. I asked the stupid question. 'You lock your keys in the car?' 'Nope, just washed it, gonna hang it up to dry.'

When the producers of 'Why Poverty?' came to me to do a film about poverty in the United States, I asked if I could do a film about wealth instead. I tend to make films about perpetrators, rather than victims.

No man is truly educated unless he knows where he came from, why he is here, and where he can expect to go in the next life.

When I was a child and came with my elders to Galway for their salmon fishing in the river that rushes past the gaol, I used to look with awe at the window where men were hung, and the dark, closed gate.

I once won a Grammy for an Australian version of 'Turn the Page' that another artist did; I can't remember his name. There've been covers down through the years around the world, but I did like Metallica's, because I kind of related to Metallica when they first came out, because Jimmy Hetfield really reminded me of me in 1965, you know?

Most of the people in my family were pretty funny. Everyone had a good sense of humor. I came to California right after college, wanting to be a musician.

My captors were definitely aware that what they were doing was wrong. It came out in small ways - occasionally through a show of guilt or compassion. One of the boys bought me a gift. Another used to sneak me acetaminophen tablets.

My challenge when I came back was to face the young talent, dissect their games, and show them maybe that they needed to learn more about the game than just the money aspect.

My family, frankly, they weren't folks who went to church every week. My mother was one of the most spiritual people I knew but she didn't raise me in the church, so I came to my Christian faith later in life and it was because the precepts of Jesus Christ spoke to me in terms of the kind of life that I would want to lead.

If I had a daughter, and some guy came home with her, I'd be on him like a hawk. When I meet people's parents, I know my place. It's not that hard.

I was born in Barranquilla, Colombia, and I came to attend high school in Massachusetts when I was about 15 years old.

My manager came up with the name 'State of the Industry,' and it was just one of those things. It just took off. Well, I don't know about 'took off.' I'm not in the stratosphere.

When I was eight or nine, I wrote a new version of 'Peter Pan' for the school play. They didn't use it - I imagine it was unperformable - but as recompense for not doing my script, I was offered any role, and instinctively went for Captain Hook. I came on trying to be terrifying, but everyone laughed at me.

Our greatest hope comes from the knowledge that the Savior broke the bands of death. His victory came through His excruciating pain, suffering, and agony. He atoned for our sins if we repent.

I borrowed a creaky laptop from my husband, went into the web, and never came back.

It would be amazing to play Sylvia Plath. She was so dark, and what came out of her writing was troubled and fierce. The dimensions, levels, layers and levels would be incredible to take on.

The Fukushima Daiichi nuclear disaster in March 2011 was an immense tragedy that sparked a global response. The international community came forward with aid to the victims and came together to address the broader concerns about nuclear security and safety.

Obama just came swiftly out of nowhere, which was a relief to those of us who care about the Republic, and at first he seemed a very good thing.

It was exactly the same on the South Park movie really too. There's lots of violence in that too, but it always came down to anything sexual... They don't care about anything else.

My confidence came from the way I grew up, and I'm grateful for it.

My notion of the KGB came from romantic spy stories. I was a pure and utterly successful product of Soviet patriotic education.

If you were to ask me to pick my favourite author, well, there are so many of them, I'd really just have to say the first names that came to mind, and I'm sure that I'll later think 'Oh, I should have mentioned that one.'

My wife came into my life, and my mother still wanted to be the boss.

I think my whole life, because of where I came from, I had a fear of failure.

There were aspects of stardom I didn't like, which were of no consequence, really, but the positive things far outweighed the negative. By the time I came to write 'Setting Sons,' I felt my writing was more like prose, set to music.

Alzheimer's is a horrible thing. Some people are naive about it. They think, 'Oh it's just your memory,' but my mother was in terrible pain. Your body closes down. She didn't know if she'd eaten or if she wanted to eat. She couldn't remember how to walk. Towards the end, she didn't know us. It came gradually, then it got worse.

I didn't come here without a visa, like everyone from China and Vietnam and Cuba. I came here by special plane... received by the ambassador, by the president of the United States. I should be the most honored man in your country.

I think way back, the '20s or the '30s, when Kodak came out with the Brownie and they put a list of instructions on the box, like how to use this thing, I think someone arbitrarily said, 'Make sure the person in the photograph is smiling.' And we went from that one sort of set of industrial instructions to this whole culture of perkiness.

I came into this environment where there was so much love, so much positive energy. I never heard my parents say, 'We have adopted kids.' The minute my sister Linda and I landed in Sweden, we were their kids.

I came to Harlem from West Virginia when I was three, after my mother died. My father, who was very poor, gave me up to two wonderful people, my foster parents.

My evidence that I am saved does not lie in the fact that I preach, or that I do this or that. All my hope lies in this: that Jesus Christ came to save sinners. I am a sinner, I trust Him, then He came to save me, and I am saved.

I came up in a time when Springsteen, the Stones, Dylan, and the Beatles were still dominant. For every magazine cover with a new band, there were five covers with one of those guys.

When I drove up on the set one day, and they'd put up a sign that says 'The Bill Engvall Show,' I stood there for 20 minutes just staring at it. The director, James Widdoes, came up and said, 'What are you doing?' And I said, 'Look at this! There's my name on a stage door in Hollywood!'

My favorite memories were with my dad, throwing a football around when he came home from work. As long as kids are having fun, that's the biggest deal at the end of the day.

When I came out, I told my stepmother Gladys, and she just said she had known for years and was glad I wasn't lying anymore.

If I would make a song dedicated to any woman, it would have to be my mom because, you know, she's been there since I came out of her. She would have to be the one... my mom or my daughter.

When I left Michigan and I came to New York, that was my goal, to be a professional dancer. And I sort of fell into singing by accident in a way.

In 'Cosmicomics,' I came close to science fiction - I was inspired by cosmological subjects and the workings of the universe and invented a character who was a sort of witness to everything that was happening inside the solar system.

I was born into a middle class family in New Jersey. My dad came home from serving in the Army after having lost his father, worked in the Breyers ice cream plant in Newark, New Jersey. Was the first person to graduate from college.

I came from a farming background, and my career was teaching.

It used to be said that when the Baal Shem Tov came into a town, his impact was so strong, he didn't have to speak. His disciples had to dance or to sing or to preach to have the same effect. I think a real messenger, myself or anyone, by the very fact that he is there as a person, as a symbol, could have the same impact.

In the 1930s, all the novelists had seemed to be people who came blazing up into stardom from out of total obscurity. That seemed to be the nature of the beast. The biographical notes on the dustjackets of the novels were terrific.

Discipleship does not come from positions of prominence, wealth, or advanced learning. The disciples of Jesus came from all walks of life.

Cheese was the staple. Bread you brought from home. The Schnaps came later. At the end of the week when people got paid, that's when you got your Schnaps, lots of it, five Pfennige a shot.

Which is - you know, like check it out, I'm pretty young, I'm only about 40 years old. I still have maybe another four decades of work left in me. And it's exceedingly likely that anything I write from this point forward is going to be judged by the world as the work that came after the freakish success of my last book, right?

When I decided that I might want to do acting for a living - I don't know where it really came from, since there was no school play or any of that - my mom gave me her blessing. I had to get a scholarship - that was the only way I could have gone to drama school.

In 2008, I was in a London park when I came across a fledgling crow that had fallen from the top of an oak tree. A woman happened to be passing, and she said that she rescued animals, so she invited me back to her house. It turned out she was the wife of Jeff Beck. Jeff was there, and we ended up jamming together.

I came out of drama school thinking I'd do some theatre, maybe some television, and maybe, someday, a film.

We, Will Ferrell and I, were approached by Sequoia, which is a big financing firm up in Palo Alto; they do a lot of Internet stuff, and they came to us and said they had an idea for a comedy site, and Will and I were sorta like, 'Yeah, we don't know. It's the Internet, we've seen it come and go.'

One time, a burglar came to my apartment, so we called the police. My son was here, so I think they left before they tried to steal something. So the police come to my apartment, and they say, 'Oh my God, did they steal everything?' I was like, 'No, it was like that!'

I'm from New York. My grandparents were settlers of Long Island City. When they came here, there was no bridge, and they had to hire a boat across the river. They had a farm, and my grandmother had to go once a week to Manhattan to buy provisions - very primitive.